Hymie wrote: ↑Tue Feb 05, 2019 12:58 am
I'd say that all of these items are all time classics and SHOULD be on any all time top 1000:
I would agree that if we're only talking about what music critics fixate on ("importance" and "influence") then all of the below probably have to land on the list although my PERSONAL taste would omit the bolded ones.
In The Mood - Glenn Miller - 1939
White Christmas - Bing Crosby - 1942
The Christmas Song - Nat "King" Cole - 1946
Rudolph, The Red-Nosed Reindeer - Gene Autry - 1949
Auld Lang Syne - Guy Lombardo - 1947
I never really want to hear holiday music outside the season so I ignore ALL artist's holiday offerings in any all-time list I assemble for that reason. They would definitely be on any all-time seasonal list I would create though.
God Bless America - Kate Smith - 1939
Over The Rainbow - Judy Garland - 1939
God Bless The Child - Billie Holiday - 1941
Sing, Sing, Sing (With A Swing) [Live at Carnegie Hall] - Benny Goodman - 1938
Swanee - Al Jolson - 1920
West End Blues - Louis Armstrong - 1928
Take The "A" Train - Duke Ellington - 1941
Star Dust - Artie Shaw - 1940
I don't really like his rendition as much as later ones.
The Stars And Stripes Forever - John Philip Sousa's Band - 1897
Minnie The Moocher - Cab Calloway - 1931
I Pagliacci - Vesti La Giubba - Enrico Caruso - 1904
In spite of liking a lot of pop singers with operatic styles including some that emerged specifically from that tradition, opera is a musical blind spot of mine. I get that Caruso was HUGE historically but I don't actually ENJOY him.
Strange Fruit - Billie Holiday - 1939
Rock-A-Bye Your Baby With A Dixie Melody - Al Jolson - 1918
I'd swap for "Toot, Toot, Tootsie".
Rhapsody In Blue - Paul Whiteman feat. George Gershwin - 1924
Take Me Out To The Ball Game - Haydn Quartet - 1908
I question whether this would be as highly regarded without its association with baseball. It's good but is it really THAT good? Not IMHO.
Ain't Misbehavin' - Fats Waller - 1929
Swinging On A Star - Bing Crosby - 1944
Crossroads Blues - Robert Johnson - 1937
I'm So Lonesome I Could Cry - Hank Williams - 1949
Moonlight Serenade - Glenn Miller - 1939
Good Rockin' Tonight - Wynonie Harris - 1948
This is more "important" but I feel "Bloodshot Eyes" Is actually a more exciting tune.
If I Didn't Care - Ink Spots - 1939
Their music sounds very "samey" to me overall but this is probably their best offering. It wouldn't land in my Top 1000 for sure though.
You Always Hurt The One You Love - Mills Brothers - 1944
Mood Indigo - Duke Ellington - 1930
One O'Clock Jump - Count Basie - 1937
T For Texas (Blue Yodel # 1) - Jimmie Rodgers - 1928
Boogie Woogie Bugle Boy - Andrews Sisters - 1941
Caldonia Boogie - Louis Jordan - 1945
Wabash Cannon Ball - Roy Acuff - 1938
In The Jailhouse Now - Jimmie Rodgers - 1928
Lover Man (Oh Where Can You Be) - Billie Holiday - 1945
Can The Circle Be Unbroken (Bye And Bye) - Carter Family - 1935
Daddy's Little Girl - Mills Brothers - 1950
Love the Mills Brothers but this is too sentimental for my taste.
The Prisoner's Song - Vernon Dalhart - 1925
St. Louis Blues - Bessie Smith - 1925
How High The Moon - Les Paul & Mary Ford - 1951
Ol' Man River - Paul Robeson - 1928
Paper Doll - Mills Brothers - 1942
Koko - Charlie Parker - 1945
Sentimental Journey - Les Brown (Doris Day) - 1945
Hey Good Lookin' - Hank Williams - 1951
Flying Home - Lionel Hampton - 1942
The Grand Old Rag (You're A Grand Old Flag) - Billy Murray - 1906
Walking The Floor Over You - Ernest Tubb - 1941
Too Young - Nat "King" Cole - 1951
Makin' Whoopee - Eddie Cantor - 1928
It's Too Soon To Know - Orioles - 1948
Stormy Weather - Ethel Waters - 1933
Body And Soul - Coleman Hawkins - 1939
Casey Jones - American Quartet featuring Billy Murray - 1910
Hard to listen to the stilted way Murray's vocals sound to modern ears though I recognize it was a by-product of the need to "shout" into the recording horn before electrical recording was a reality.
Chattanooga Choo Choo - Glenn Miller (Tex Beneke and the Modernaires) - 1941
Get Your Kicks On Route 66 - Nat "King" Cole - 1946
Choo Choo Ch'Boogie - Louis Jordan - 1946
Cold Cold Heart - Hank Williams - 1951
Begin The Beguine - Artie Shaw - 1938
I'll Be Seeing You - Bing Crosby - 1944
Crazy Blues - Mamie Smith - 1920
Boogie Chillen' - John Lee Hooker - 1948
New San Antonio Rose - Bob Wills and His Texas Playboys - 1940
You Made Me Love You, I Didn't Want To Do It - Al Jolson - 1913
Blue Moon Of Kentucky - Bill Monroe - 1947
This would probably be my choice from Big Mon too although bluegrass purists would likely argue for "Uncle Pen".
My Blue Heaven - Gene Austin - 1927
Why Don't You Do Right? - Benny Goodman (Peggy Lee) - 1942
Sonny Boy - Al Jolson - 1928
Call It Stormy Monday (But Tuesday Is Just As Bad) - T-Bone Walker - 1947
I'll Never Smile Again - Tommy Dorsey (Frank Sinatra and the Pied Pipers) - 1940
I Can't Get Started - Bunny Berigan - 1937
A Tisket, A Tasket - Ella Fitzgerald with Chick Webb's Orchestra - 1938
Riders In The Sky (A Cowboy Legend) - Vaughn Monroe - 1949
Rather hear Cash's cover on this one. I personally feel "So You're the One" is the better Monroe tune.
Let Me Call You Sweetheart - Peerless Quartet - 1911
All Or Nothing At All - Frank Sinatra with Harry James - 1939
Don't Be That Way - Benny Goodman - 1938
Straighten Up And Fly Right - Nat "King" Cole - 1944
Alexander's Ragtime Band - Arthur Collins and Byron Harland - 1911
I get that this is "important" but I just don't care for the tune.
Some Of These Days - Sophie Tucker - 1911
Pennies From Heaven - Bing Crosby - 1936
Blues In The Night - Jimmie Lunceford (Willie Smith) - 1942
Roll 'Em Pete - Pete Johnson & Joe Turner - 1939
Tea For Two - Art Tatum - 1939
Cool Water - Sons Of The Pioneers - 1941
Jingle, Jangle, Jingle - Kay Kyser - 1942
Hymie wrote: ↑Tue Feb 05, 2019 12:58 am
I mean, this site is great and all, but I hope nobody really believes that acts like Radiohead, Nirvana and the Velvet Underground are more significant in musical history than Bing Crosby, Al Jolson and Ella Fitzgerald.
Just to play Devil's advocate, Nirvana essentially killed off hair metal and the Velvet Underground vastly expanded the territory that lyrics could cover. Someone else will have to argue for Radiohead though as I find them overrated.