France - One song per day.

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Romain
Die Mensch Maschine
Posts: 4309
Joined: Fri Feb 10, 2012 2:25 pm
Location: Lyon, France

Re: France - One song per day.

Post by Romain » Sun Dec 22, 2019 4:25 pm

Asylum Party - Play Alone - 1989
Coldwave, post-punk

Album: Borderline (RYM: 3.57/5)

Wikipédia:
Asylum Party were a French post-punk/coldwave band formed in 1985 in Courbevoie by guitarist-vocalist Philippe Planchon and bassist-vocalist Thierry Sobézyk. The duo later added keyboardist Pascale Macé. Their sound had gothic rock influences and was very similar to English post-punk bands. Asylum Party, along with fellow French coldwave bands of the same period such as Little Nemo and Mary Goes Round, were considered part of the "Touching Pop" movement (Sobézyk also played in the latter).


Post-punk.com: (12 juillet 2019)
It’s with great sadness to report that Thierry Sobezyk, bassist and co-vocalist of seminal French coldwave band Asylum Party, has passed away after a long battle with leukemia. The news was announced by fellow Lively Art labelmates Little Nemo, who shared the stage with Sobezyk many times over the years.

Asylum Party formed in 1985 by Thierry Sobezyk and Philippe Planchon. The band quickly rose as one of the shining stars of the French post-punk scene, often labeled as coldwave, (dubbed “la vague froide” by the French press) or Touching Pop, in line with many of their Lively Art labelmates. Sobezyk co-wrote, sang, and played bass on every Asylum Party release, including 1989’s Borderline and 1990’s Mère LPs, two of the strongest records the underground post-punk movement has to offer. He also designed the sleeve for the 1989 What Will You Learn EP, which featured the single “Misfortune?”

my feet cross the present ground
my voice is dead
i can only hear the sound
of my own shade
i'm filling that hole
which is just my soul, just my soul

desire somewhere inside me
is so close and so far anyway
it makes me see in white and black
this fucking endless movie i call life

mute love made me lose my faith
and still kills me
silent wars have changed my face
when will i be free ?
i'm playing alone with my poisoned dreams
poisoned dreams

desire somewhere inside me
is so close and so far anyway
it makes me see in white and black
this fucking endless movie i call life

User avatar
Romain
Die Mensch Maschine
Posts: 4309
Joined: Fri Feb 10, 2012 2:25 pm
Location: Lyon, France

Re: France - One song per day.

Post by Romain » Tue Dec 24, 2019 4:16 pm

Page 36 Léonin - Viderunt Omnes - 1160 - Classical
Page 9 Adam De La Halle - Jeu de Robin et Marion - 1282 or 1283 - Classical
Page 23 Philippe De Vitry - In Arboris - 1320 - Classical
Page 25 Josquin des Prez - Ave Maria ... Virgo serena - 1485 - Classical
Page 27 Clément Janequin - Le chant des Oyseaulx - 1537 - Classical
Page 35 Nicolas Gombert - In Te Domine Speravi - Motet à six voix - 1539 - Classical
Page 16 Jean-Baptiste Lully - Marche pour la cérémonie des turcs - 1670 - Classical
Page 14 Marc-Antoine Charpentier - Te Deum - 1688/1698 - Classical
Page 29 Michel Richard Delalande - Simphonies pour le Soupers du Roy - Concert de trompettes - 1703 - Classical
Page 32 Jean-Philippe Rameau - Rondeau des Indes galantes (Les sauvages) - 1735 - Classical
Page 16 Claude Joseph Rouget De Lisle - Chant de Guerre pour l'Armée du Rhin ou La Marseillaise - 1792
Page 25 Hector Berlioz - Symphonie Fantastique - Marche au supplice - 1830 - Classical
Page 26 Unknown - Les anges dans nos campagnes - before 1846 - Classical
Page 11 Adolphe Adam - Minuit, chrétiens - 1847 - Classical
Page 33 Charles Gounoud - Ave Maria - 1853 - Classical
Page 5 Édouard-Léon Scott de Martinville - Au clair de la lune - First recorded song - 1860
Page 34 Jean-Romain Grosjean - Il est né le divin enfant - 1862
Page 1 Georges Bizet - Le pêcheur de perles - Je crois entendre encore - 1863 - Classical
Page 27 Jean-Baptiste Clément / Antoine Renard - Le temps des cerises - 1866
Page 30 Louis Théodore Gouvy - Requiem op.70 - 1874 - Classical
Page 38 Edouard Lalo - Symphonie Espagnole - Cinquième Mouvement : Rondo - 1874 - Classical
Page 4 Camille Saint-Saëns - Danse Macabre op 40 - 1874 - Classical
Page 40 Georges Bizet - Carmen - Habanera - 1875 - Classical
Page 39 Gabriel Pierné - Sérénade op.7 - 1879 - Classical
Page 20 Charles-Marie Widor - Symphonie pour orgue n°5 - Toccata - 1879 - Classical
Page 6 Gabriel Fauré - Élégie pour violoncelle et piano, op 24 - 1880 - Classical
Page 7 Jacques Offenbach - Les contes d'Hoffmann - Belle nuit, ô nuit d'amour - 1881 - Classical
Page 11 Léo Delibes - Lakmé - Duo des fleurs - 1883 - Classical
Page 19 Emmanuel Chabrier - España - 1883 - Classical
Page 30 Yvette Guilbert - Le fiacre - 1888
Page 3 Erik Satie - Gymnopédie n°3 - 1888 - Classical
Page 18 Vincent D'Indy - Tableaux de voyage op.33 - Le Glas - 1889 - Classical
Page 35 Erik Satie - Gnossienne n°1 - 1890 - Classical
Page 13 Ernest Chausson - Concert pour violon, piano et quatuor à cordes en Ré majeur op.21 - Sicilienne - 1892 - Classical
Page 37 Claude Debussy - Prélude à l'après-midi d'un faune - 1894 - Classical
Page 4 Paul Dukas - L'apprenti sorcier - 1897 - Classical
Page 34 Louis Vierne - Messe solennelle - 1900- Classical
Page 19 Mado Robin - Frou-Frou - 1897
Page 23 Félix Mayol - Viens, Poupoule ! - 1902
Page 28 Jules Massenet - Thaïs - Méditation - 1903 - Classical
Page 3 Claude Debussy - Suite Bergamasque - Clair de lune - 1905 - Classical
Page 28 Bach - La caissière du Grand Café - 1914
Page 13 Mistinguett - Mon Homme - 1916
Page 22 Lili Boulanger - Vieille prière bouddhique - 1917 - Classical
Page 10 Léo Daniderff - Je cherche après Titine - 1917
Page 31 Louis Lynel - Nuit de Chine - 1922
Page 40 Joseph Canteloube - Chants d'Auvergne - Baïlèro - 1923 - Classical
Page 22 Arthur Honegger - Pacific 231 - 1923 - Classical
Page 8 Darius Milhaud - La Création du monde op.81 - 1923 - Classical
Page 26 Charles Koechlin - Vers la voûte étoilée op. 129 - 1923-33 - Classical
Page 9 Berthe Sylva - Les roses blanches - 1925
Page 37 Yvonne George - J'ai pas su y faire ! - 1925
Page 17 Jean Cras - Journal de Bord - 1927 - Partie III : Quart de 4 à 8 - Classical
Page 2 Maurice Ravel - Boléro - 1928 - Classical
Page 25 Georges Milton - Pouet Pouet - 1929
Page 7 Joséphine Baker - J'ai deux amours - 1930 
Page 3 Lucienne Boyer - Parlez-moi d'amour - 1930
Page 14 Louis Lynel - Ma Normandie - 1930
Page 31 Henri Garat - Avoir un bon copain - 1931
Page 33 Reda Caire -Auprès de ma blonde - 1933
Page 23 Pauline Carton - Sous les palétuviers - 1934
Page 24 Damia - La guinguette a fermé ses volets - 1934
Page 1 Gaston Ouvrard - Je ne suis pas bien portant - 1934
Page 18 Alibert - Le plus beau tango du monde - 1935
Page 37 Raymond Ventura - Tout va très bien madame la marquise - 1935
Page 26 Marie Dubas - Le tango stupéfiant - 1936
Page 27 Jean Gabin - Quand on s'promène au bord de l'eau - 1936
Page 21 Henry Garat - C'est un mauvais garçon - 1936
Page 6 Olivier Messiaen - Fête des belles eaux - 1937 - Classical
Page 3 Django Reinhardt and Stéphane Grappelli - Minor Swing - 1937 - Jazz
Page 8 Ray Ventura - Qu'est-ce qu'on attend pour être heureux ? - 1937
Page 12 Fréhel - La Java Bleue - 1938
Page 26 Johnny Hess - Je suis swing - 1938 - Jazz
Page 18 Rina Ketty - J'attendrai - 1938
Page 2 Mireille et Jean Sablon - Puisque vous partez en voyage - 1938
Page 17 Fernandel - Félicie aussi ! - 1939
Page 35 Fréhel - La java bleue - 1939
Page 21 Jean Lumière - La valse au village - 1939
Page 31 Albert Préjean - Amusez-vous ! - 1939
Page 18 GusViseur - Flambée Montalbanaise - 1940 - Jazz
Page 34 Django Reinhart - Nuages - 1940 - Jazz
Page 14 Léo Marjane - Je suis seule ce soir - 1941
Page 12 Anna Marly - Le chant des partisans - 1941
Page 28 Marie Bizet - Rythme et swing - 1942
Page 3 Lucienne Delyle - Mon amant de Saint-Jean - 1942
Page 2 Charles Trenet - Que Reste-t'il de nos amours ? - 1942
Page 20 Lina Margy - Ah ! Le petit vin blanc - 1943
Page 12 Anna Marly - La complainte du partisan - 1943
Page 40 Andrex - Y'a des zazous - 1944
Page 4 Yves Montand - Les Feuilles Mortes - 1945
Page 8 Luis Mariano - La Belle de Cadix - 1945
Page 38 Lina Margy - Voulez-vous danser grand-mère ? - 1946
Page 29 Colette Mars - Le vent emporte ma chanson - 1946
Page 18 Tino Rossi - Petit papa Noël - 1946
Page 23 Fernand Sardou - Aujourd'hui peut-être - 1946
Page 35 Charles Trenet - La mer - 1946
Page 19 Henri Betti - C'est si bon - 1947
Page 29 Pierre Dudan - Clopin-Clopant - 1947
Page 14 Line Renaud - Ma cabane au Canada - 1947
Page 27 Jacqueline François - Mademoiselle de Paris - 1948
Page 24 Pierre Schaeffer - Cinq Etudes de bruits - 1948 - Classical & Electro
Page 12 Francis Lemarque - À Paris - 1949
Page 24 Francis Lemarque - Bal, petit bal - 1949
Page 33 Edith Piaf - Hymne à l'amour - 1949

Page 22 André Claveau - Domino - 1950
Page 3 Henri Salvador - Le loup, la biche et le chevalier (une chanson douce) - 1950
Page 11 Jean Bretonnière - Sous le ciel de Paris - 1951
Page 17 Mick Micheyl - Un gamin de Paris -1951
Page 39 Yves Montand - Les grands boulevards - 1951
Page 25 Marcel Mouloudji - Comme un p'tit coquelicot - 1951
Page 1 Brassens & Patachou - Maman, papa - 1952
Page 14 Georges Guetary - La route Fleurie - 1952
Page 33 Georges Brassens - La marine - 1953
Page 7 Maurice Chevalier - Dans la vie faut pas s'en faire - 1953
Page 13 Alain Romans - Quel temps fait-il à Paris - 1953 - OST & Jazz
Page 30 Marcel Landowski - Concerto pour ondes Martenot orchestre à cordes et percussions - 1954 - Classical
Page 13 Cora Vaucaire - La Complainte de la Butte - 1955
Page 9 Boris Vian - Je Bois - 1955
Page 17 René-Louis Lafforgue - Le poseur de rails - 1956
Page 1 Magali Noël - Fais-moi mal, Johnny - 1956
Page 25 Léo Arnaud - Bugler's Dream - 1958 - Classical
Page 36 Bourvil - La ballade Irlandaise - 1958
Page 19 Guy Béart - L'eau vive - 1958
Page 15 Anny Flore - Julie la rousse - 1958
Page 7 Jacques Brel - Ne me quitte pas - 1959
Page 21 Philippe Clay - L'accordéon - 1959
Page 28 André Dassary - Adieu tristesse - 1959
Page 20 Roger Guérin - Discord - 1959 - Jazz
Page 22 Darío Moreno - Tout l'amour - 1959
Page 25 Georgette Plana - L'hirondelle du faubourg - 1959
Page 37 Simone Sandry - Les belles amourettes - 1959
Page 25 Michel Simon - Mémère - 1959

Page 1 Bourvil - C'était bien (au petit bal perdu) - 1960
Page 35 René Leibowitz - Marijuana, variations non sérieuses, Op. 54 - 1960 - Classical
Page 4 Juliette Gréco - Il n'y a plus d'après - 1960
Page 13 Gilian Hills - Zou bisou bisou - 1960
Page 23 André Hodeir - Jazz et Jazz - 1960 - Jazz
Page 6 Edith Piaf - Non, je ne regrette rien - 1960 
Page 29 Paul Blamar - Moin çé on maléré - 1961
Page 15 Les Double Six - Tickle Toe (Le racket et les balles) - 1961 - Jazz
Page 11 Zizi Jeanmaire - Mon truc en plumes - 1961
Page 39 Franck Pourcel - Chariot - 1961
Page 14 Marcel Amont - Un Mexicain - 1962
Page 18 Isabelle Aubret - Un premier amour - 1962
Page 36 Gilbert Bécaud - Et maintenant - 1962
Page 24 Leny Escudero - Pour une amourette - 1962
Page 27 Les Fantômes - Cafards - 1962
Page 12 Maurice Jarre - Lawrence of Arabia - 1962 - OST
Page 19 Michel Magne - Mélodie en sous-sol - Palm Beach thème - 1962 - OST & Jazz
Page 35 Claude Nougaro - Le cinéma - 1962
Page 10 Francis Poulenc - Sonate pour clarinette, 2ème mouvement : Romanza - 1962 - Classical
Page 38 Henri Salvador - Syracuse - 1962
Page 4 Salvatore Adamo - Tombe la neige - 1963
Page 9 Alain Barrière - Elle était si jolie - 1963
Page 21 Patricia Carli - Demain, tu te maries - 1963
Page 6 Georges Delerue - Le Mépris - Camille - 1963 - OST
Page 24 Colette Dereal - La valse folle - 1963
Page 26 Alice Dona - C'est pas prudent - 1963
Page 22 Colette Magny - Melocoton - 1963
Page 20 Les Mustangs - Drums - 1963
Page 9 Claude Nougaro - Cécile ma fille - 1963 
Page 11 Colette Renard - Les nuits d'une demoiselle - 1963
Page 9 Sheila - L'école est finie - 1963 
Page 7 Soeur Sourire - Dominique - 1963
Page 23 Hélène April - Je m'ennuie - 1964
Page 34 Charles Aznavour - Hier encore - 1964
Page 40 Alain Barrière - Ma vie - 1964
Page 2 Gilbert Bécaud - Nathalie - 1964
Page 33 Jacques Brel - Amsterdam - 1964
Page 20 Annie Cordy - Six roses - 1964
Page 12 Henri Dutilleux - Métaboles - 1964 - Classical
Page 4 Jean Ferrat - Que serais-je sans toi ? - 1964
Page 2 France Gall - Laisse tomber les filles - 1964
Page 32 Les Gam's - L'été reviendra - 1964
Page 34 Geneviève Grad - Douliou douliou Saint-Tropez - 1964
Page 36 Françoise Hardy - Mon amie la rose - 1964
Page 2 Françoise Hardy - La Nuit Est Sur La Ville - 1964
Page 34 Michel Legrand - Les parapluies de Cherbourg - Je ne pourrai jamais vivre sans toi - 1964 - OST
Page 30 Félix Marten - T'es moche - 1964
Page 3 Les Parisiennes - Il fait trop beau pour travailler - 1964
Page 25 Rachel - Le chant de mallory - 1964
Page 34 Sylvie Vartan - La plus belle pour aller danser - 1964
Page 29 François Deguelt - Le ciel, le soleil et la mer - 1965
Page 8 Antoine Duhamel - Pierrot Le Fou - Ferdinand - 1965 - OST
Page 22 Gribouille - Mathias - 1965
Page 19 Chantal Kelly - Mon ami, mon chien - 1965
Page 27 Marjorie Noël - Dans le même wagon - 1965
Page 10 Les Problèmes - Non, je ne vois rien - 1965
Page 15 Annie Philippe - Tout finit à St. Tropez - 1965
Page 4 Régine - Les P'tits papiers - 1965
Page 5 Hervé Vilard - Capri, c'est fini - 1965
Page 5 Antoine - Les élucubrations - 1966
Page 24 Adèle - Je ne veux plus d'accordéon - 1966
Page 8 Michèle Arnaud - les papillons Noirs - 1966
Page 4 Hugues Aufray - Céline - 1966
Page 25 Pierre Barouh - A l'ombre de nous - 1966
Page 26 Les Bowlers - Il est trop tard - 1966
Page 39 Petula Clark - La gadoue - 1966
Page 29 Cléo - Et moi, et toi, et soie - 1966
Page 5 Pascal Danel - Les neiges du Kilimanjaro - 1966
Page 15 Chantal Goya - Si tu gagnes au flipper - 1966
Page 9 Francis Lai - Un homme et une femme - 1966 - OST 
Page 10 Les 5 Gentlemen - Si tu reviens chez moi - 1966
Page 14 Les Pros - Drugstore Midnight - 1966
Page 15 Long Chris - Névralgie Particulière - 1966
Page 3 Mireille Mathieu - Paris en colère - 1966
Page 16 Gilbert Safrani - Les gens s'en vont dans le ciel - 1966
Page 24 Structures Sonores Lasry-Baschet - Manège - 1966 - Classical
Page 25 Les Troubadours - La ballade Polly Maggoo - 1966
Page 14 Zouzou - Il est parti comme il est venu - 1966
Page 10 Charles Aznavour - Emmenez-moi - 1967
Page 1 Brigitte Bardot - Harley Davidson - 1967
Page 22 Clothilde - Saperlipopette - 1967
Page 28 Évariste - Les pommes de lune - 1967
Page 35 Juliette Greco - Déshabillez-moi - 1967
Page 2 Pierre Henry - Psyché Rock - 1967 - Classical & Electro
Page 40 Anna Karina - Sous le soleil exactement - 1967 - OST
Page 16 Marie Laforêt - Mon amour, mon ami - 1967
Page 14 Christie Laume - Rouge Rouge - 1967
Page 30 Michel Legrand - Les demoiselles de Rochefort - Thème d'Andy - 1967 - OST
Page 38 Les fleurs de pavot - pourquoi l'amour à deux - 1967
Page 32 Charlotte Leslie - Les filles, c'est fait pour faire l'amour - 1967
Page 16 Christine Pilzer - Ah-Hem-Ho-Uh-Err - 1967
Page 21 Guy Skornik - Fire - 1967
Page 4 Stella - Si vous connaissez quelque-chose de pire qu'un vampire, parlez m'en toujours, ça pourra peut-être me faire sourire - 1967
Page 7 Jacqueline Taïeb - 7 heures du matin - 1967
Page 10 Dominique Walter - Les petits boudins - 1967
Page 28 Arlette Zola - Deux garçons pour une fille - 1967
Page 2 Barbara - Du bout des lèvres - 1968
Page 18 Barbara - Mon enfance - 1968
Page 23 Richard de Bordeaux & Daniel Beretta - La drogue - 1968
Page 33 Georges Chelon - Nous on s'aime - 1968
Page 1 Jacques Dutronc - Proverbes - 1968
Page 34 Jacques Dutronc - Il est cinq heures, Paris s'éveille - 1968
Page 37 Brigitte Fontaine - Il pleut - 1968
Page 4 Claude François - Comme d'habitude - 1968
Page 33 Serge Gainsbourg et Brigitte Bardot - Bonnie & Clyde - 1968
Page 35 Serge Gainsbourg - Requiem pour un con - 1968
Page 8 Les Goths - Turn Over - 1968
Page 18 Sophie Makhno - Obsessions 68 - 1968
Page 5 Jean-François Michael - Adieu, jolie Candy - 1968
Page 33 The piranha' sounds - La turbie piranhienne - 1968
Page 1 Michel Polnareff - Le bal des Laze - 1968
Page 21 Jean-Claude Risset - Computer suite for little boy - 1968 - Classical
Page 21 Victoire Scott - Quatrième Dimension - 1968
Page 18 Patrick Abrial - Fétiche - 1969
Page 18 Alec - L'étranger - 1969
Page 31 Les Apollos & la Danse Cosmique - Cosmonautic Blues - 1969
Page 13 Ronnie Bird - Sad Soul - 1969
Page 19 Jacques Charpentier - Pour le Kama Soutra - 1969 - Classical
Page 30 Le cœur - Un soleil assis dans la neige - 1969
Page 40 Le Cœur - Bye-Bye City - 1969
Page 40 Les Compagnons de la Chanson - Je reviens chez nous - 1969
Page 11 Pierre-Alain Dahan - Slowrama - 1969
Page 11 Mireille Darc - Hélicoptère - 1969
Page 20 Eric Demarsan - L'armée des ombres - Thème de Gerbier - 1969 - OST
Page 29 Dickens - Génocide - 1969
Page 19 Docdaïl - Aere Perennius - 1969
Page 31 Pierre Dutour - Tracking - 1969
Page 39 Léo Ferré - C'est extra - 1969
Page 3 Serge Gainsbourg - Je t'aime... moi non plus ! - 1969
Page 32 Les Landles - Le monde est mort - 1969
Page 35 Boby Lapointe - Je suis né au Chili - 1969
Page 34 Jean-Pierre Lugan - Le petit proton soviétique - 1969
Page 19 Le Système Crapoutchik - L'horrible rêve - 1969
Page 22 Georges Garvarentz - Le temps des loups - OST - 1969
Page 6 Michel Legrand - Les moulins de mon coeur - 1969
Page 27 Michèle Mercier - Six-Huit - 1969
Page 9 Jean-Pierre Mirouze - Sexopolis - Thème - 1969 - OST
Page 4 Georges Moustaki - Le Métèque - 1969
Page 18 Jean-Claude Oliver - L'invité - 1969
Page 16 Roland Vincent - L.S.D. partie - 1969

Pagr 26 Ame Son - A coup de hache - 1970 - Jazz
Page 21 Jack Arel - Picture of Spring - 1970
Page 15 Baroque Jazz Trio - Zoma - 1970 - Jazz
Page 39 François Béranger - Tranche de vie - 1970
Page 31 Big Jullien and His All Star - Wake the monster - 1970 -Jazz
Page 14 Claude Bolling - Borsalino - Thème - 1970 - OST
Page 7 François De Roubaix - Dernier Domicile Connu - 1970 - OST
Page 20 Jean-Pierre Ferland - Le chat du café des artistes - 1970
Page 37 Luc Ferrari - Presque rien n°1 (Le lever du jour au bord de la mer) - 1970 - Classical
Page 3 Jean-Jacques Perrey - E.V.A. - 1970 - Electro
Page 1 Boby Lapointe - Méli-Mélodie - 1970
Page 34 Philippe Sarde - Les choses de la vie - Thème - 1970 - OST
Page 32 Christine Sèvres - Tu es venu - 1970
Page 34 Stellius - What I'd like - 1970
Page 17 Triangle - Peut-être demain ? - 1970
Page 28 Michel Ypar - Encore - 1970
Page 9 Zanini - Tu veux ou tu veux pas ? - 1970
Page 27 Berenice - Alors Dieu châtia l'Homme - 1971
Page 3 Julien Clerc - Ce n'est rien - 1971
Page 8 Michel Delpech - Pour Un Flirt - 1971
Page 2 Léo Ferré - Avec le temps - 1971
Page 39 Gong - Fohat digs holes in space - 1971
Page 32 Léonie - En Alabama - 1971
Page 14 Danyel Gérard - Butterfly - 1971
Page 9 Les Poppys - Non, non, rien n'a changé - 1971
Page 23 Raymond Lefèvre - JO - Générique - 1971 - OST
Page 28 Gilbert Montagné - The Fool - 1971
Page 2 Nicoletta - Mamy Blue - 1971
Page 2 Michel Polnareff - Qui A Tué Grand' Maman - 1971
Page 22 Tac Poum Système - Asmodaï - 1971
Page 31 Yan Tregger - Sun Adoration - 1971
Page 36 Daniel Vangarde (Yamasuki) - AIEAOA - 1971
Page 23 Igor Wakhevitch - Materia Prima - 1971
Page 9 Dominique Blanc-Francard - Ailleurs/Icare - 1972
Page 20 Charles Dumont - Comme une fugue de Bach - 1972
Page 6 Michel Fugain - Une belle histoire - 1972
Page The Moving Gelatine Plates - The world of genius Hans – 1972
Page 31 Jane et Julie - Notre homme à moi - 1972
Page 3 Maxime Le Forestier - San Fransisco - 1972
Page 38 Maxime Le Forestier - Mon frère - 1972
Page 27 Philippe Nicaud - C'ex - 1972
Page 3 Les variations - Je suis juste un rock'n'roller - 1972
Page 20 Catherine Ribeiro + Alpes - Paix - 1972
Page 13 Véronique Sanson - Amoureuse - 1972 
Page 36 Véronique Sanson - Besoin de personne - 1972
Page 22 Ann Sorel - L'amour à plusieurs - 1972
Page 3 Jean-Claude Vannier - Les gardes volent au secours du roi - 1972
Page 8 Philippe Besombes - La ville - 1973
Page 17 Vladimir Cosma - L'Affaire Crazy Capo - 1973 - OST
Page 7 Diane Dufresne - J'ai Rencontré L'homme De Ma Vie - 1973
Page 25 Les Frères Jacques - La confiture - 1973
Page 2 Alain Goraguer - La Planète Sauvage - 1973 - OST & Electro
Page 22 Pierre Groscolas - Lady Lay - 1973
Page 14 Lafayette Afro Rock Band - Hihache - 1973
Page 39 Marie Laforêt - Viens, viens - 1973
Page 15 Serge Lama - Je suis malade - 1973
Page 2 Magma - Mekanïk Destruktïw Kommandöh - 1973/1989
Page 24 Tonio Rubio - Bass in action n°2 - 1973
Page 13 Stone et Charden - Made in Normandie - 1973
Page 11 The Peppers - Pepper Box - 1973 - Electro
Page 37 Pierre Bachelet - Emmanuelle - 1974 - OST
Page 37 Ange - Exode - 1974
Page 6 Areski Belkacem - C'est normal - 1974
Page 35 Bimbo Jet - El Bimbo - 1974
Page 2 Christophe - Les Mots Bleus - 1974 
Page 24 Marcel Dadi - Le derviche tourneur - 1974
Page 3 Dalida - Il venait d'avoir 18 ans - 1974
Page 26 Bernard Estardy - Gang Train - 1974
Page 1 Nino Ferrer - Le sud - 1974
Page 3 Daniel Guichard - Mon vieux - 1974
Page 20 Jean-Claude Pelletier - Hello Streakers! - 1974
Page 33 Atoll - L'araignée-Mal - 1975
Page 20 Joe Dassin - L'été indien - 1975
Page 39 Joe Dassin - Et si tu n'existais pas - 1975
Page 18 Cortex - La rue - 1975 - Jazz
Page 36 Bernard Fèvre - Molecule Dance - 1975 - Electro
Page 17 Gérard Grisey - Partiels - 1975 - Classical
Page 18 Harlem pop Trotters - Penwick - 1975
Page 20 Il était une fois - J'ai encore rêvé d'elle - 1975
Page 29 Teddy Lasry - Los Angeles - 1975
Page 13 Gérard Lenorman - La Ballade des gens heureux - 1975
Page 3 Gérard Manset - Il voyage en solitaire - 1975
Page 1 Jeanne Moreau - India Song - 1975
Page 11 Janko Nilovic - Drug Song - 1975
Page 36 Nicolas Peyrac - So far away from L.A. - 1975
Page 35 Nicolas Peyrac - Et mon père - 1975
Page 20 Pulsar - Pollen - 1975 - Electro
Page 8 Resonance - OK Chicago - 1975
Page 38 Philippe Sarde - Adieu Poulet - Générique de fin - 1975 - OST
Page 6 Jean Yanne - Chobizeness - Coït - 1975 - OST
Page 3 Jane Birkin - Ballade de Johnny Jane - 1976
Page 32 Cerrone - Love in C Minor - 1976
Page 24 Richard Clayderman - Ballade Pour Adeline - 1976
Page 4 Jean-Michel Jarre - Oxygène Part IV - 1976 - Electro
Page 16 Michel Colombier - L'Alpagueur - Main Theme - 1976 - OST
Page 30 Dick Rivers - Faire un pont - 1976
Page 3 Philippe Sarde - Le locataire - Main theme - 1976 - OST
Page 13 The Droids - The Force - 1976 - Electro
Page 10 Wapassou - Messe en ré mineur - 1976
Page 23 Cerrone - Supernature - 1977
Page 6 Philippe Chatel - J't'aime bien Lili - 1977
Page 12 Yves Duteil - Prendre un enfant - 1977
Page 7 Little Bob Story - Riot in Toulouse - 1977
Page 40 Eddy Mitchell - La dernière séance - 1977
Page 28 Moon Birds - Cristal N°3 - 1977
Page 5 Marie Myriam - L'enfant et l'oiseau - 1977
Page 7 Plastic Bertrand - Ça plane pour moi - 1977
Page 39 Pierre Perret - Lily - 1977
Page 9 Jean-Luc Ponty - Mirage - 1977 - Jazz
Page 11 Zachary Richard - Travailler, c'est trop dur - 1977
Page 23 Yves Simon - Diabolo Menthe - 1977
Page 3 SpAce - Magic Fly - 1977 - Electro
Page 9 Space Art - Onyx - 1977 - Electro
Page 16 A 3 Dans les WC - Contagion - 1978
Page 15 Black Devil - H-Friend - 1978 - Electro
Page 31 Bulldozer - J'suis punk - 1978
Page 12 Louis Chédid - T'as beau pas être beau - 1978
Page 36 Claude François - Alexandrie Alexandre - 1978
Page 37 Jean-Michel Jarre - Equinoxe 5 - 1978 - Electronique
Page 36 Mama Béa Tekieelski - Ballade pour un bébé robot - 1978
Page 16 Marie et les Garçons - Re-Bop - 1978
Page 8 Métal Urbain - Paris Maquis - 1978
Page 38 Frédéric Mercier - Spirit - 1978 - Electronic music
Page 12 Michel Sardou - Je vole - 1978
Page 28 Richard Vimal - Migrations - 1978
Page 30 Jean-Pierre Alarcen - Premier mouvement - 1979
Page 13 Cabrel - Je l'aime à mourir - 1979
Page 5 Jean-Patrick Capdevielle - Quand t'es dans le désert - 1979
Page 21 Eric Charden - L'été sera chaud - 1979
Page 16 Joël Fajerman - Flowers Love - 1979 - Electro & OST
Page 31 Philippe Guerre - Marche Blues - 1979 - Electro
Page 5 Patrick Hernandez - Born to be alive - 1979
Page 11 Jacques Higelin - Champagne - 1979
Page 29 Lio - Le Banana Split - 1979
Page 18 Lizzy Mercier Descloux - Fire - 1979
Page 25 Les Olivensteins - Euthanasie - 1979
Page 12 Jacques Loussier - Pulsion - 1979 - Jazz
Page 31 Chris O'Hara - Sur les coussins de la discothèque - 1979
Page 1 Pierre Perret - Mon P'tit Loup - 1979
Page 31 Sheila B. Devotion - Spacer - 1979
Page 16 Stinky Toys - Birthday Party - 1979

Page 18 Abus Dangereux - Le Roy est Mort, Vive le Roy - 1980
Page 24 Cha Cha Guitri - 1981
Page 10 Elli & Jacno - Main dans la main - 1980
Page 31 Eskaton - Dagon - 1980
Page 6 Le Grand Orchestre du Splendid - La Salsa du démon - 1980
Page 38 Les Misérables - À la volonté du peuple - 1980
Page 8 Mathématiques Modernes - Disco Rough - 1980
Page 9 Modern Guy - Electrique Sylvie - 1980
Page 15 Tristan Murail - Gondwana - 1980 - Classical & Electro
Page 34 Nini Raviolette - Suis-je normale ? - 1980
Page 12 Ottawan - T'es OK - 1980
Page 15 Suicide Roméo - Suicide Roméo - 1980
Page 1 Taxi Girl - Cherchez le garçon - 1980
Page 2 Trust - Antisocial - 1980
Page 18 Pierre Boulez - Répons - 1981 - Classical & Electro
Page 22 Comix - Touche pas mon sexe - 1981
Page 5 Patrick Coutin - J'aime regarder les filles - 1981
Page 2 Charlélie Couture - Comme un avion sans aile - 1981
Page 31 Charles de Goal - Exposition - 1981
Page 5 Hervé Cristiani - Il est libre Max - 1981 
Page 17 Guerre Froide - Demain Berlin - 1981
Page 15 La Souris Déglinguée - Rock'N'Roll Vengance - 1981
Page 4 Marquis de Sade - Wanda's Loving Boy - 1981
Page 39 Marquis de Sade - Cancer and Drugs - 1981
Page 2 Renaud - Manu - 1981
Page 37 Michel Sardou - Les lacs du Connemara - 1981
Page 5 Jean Schultheis - Confidence pour confidence - 1981
Page 29 TGV - T.G.V. (Très Grande Vitesse) Partie 1 - 1981
Page 22 Ti Céleste - Testaman - 1981
Page 5 Chagrin d'Amour - Chacun fait c'qui lui plaît - 1982
Page 8 Gérard Blanchard - Rockamadour - 1982
Page 32 Renaud Gagneux - Requiem - Introitus et Kyrie - 1982 - Classical
Page 21 Ici Paris - Allo le monde... - 1982
Page 11 Kas Product - Never Come Back - 1982
Page 17 Les Forbans - Chante - 1982
Page 1 Richard Gotainer - La ballade de l'obsédé - 1982
Page 3 Indochine - L'aventurier - 1982
Page 32 Guy Marchand - Destinée - 1982
Page 40 Vox Dei - Terroriste - 1982
Page 16 Act. - Ping pong - 1983
Page 6 Isabelle Adjani - Pull Marine - 1983 
Page 13 Axel Bauer - Cargo - 1983
Page 36 Michel Berger - Diego, libre dans sa tête - 1983
Page 30 Deux - Game and performance - 1983
Page 31 Catherine Lara - Le rockeuse de diamants - 1983
Page 24 Malavoi - Caressé mwen - 1983
Page 17 Jakie Quartz - Mise au point - 1983
Page 28 Regrets - Je ne veux pas rentrer chez moi seule - 1983
Page 36 Guy Reibel - Suite pour Edgar Poe - 1983 - Classical
Page 24 François Tusques - Le Musichien - 1983 - Jazz
Page 30 Complot Bronswick - I know The Power of words - 1984
Page 27 Die Form - Masochist - 1984
Page 25 Cookie Dingler - Femme libérée - 1984
Page 13 Martin Dupont - Just Because - 1984
Page 27 Ice - La grande guerre - 1984
Page 29 Moon Ray - Comanchero - 1984
Page 9 Paul Personne - Barjoland - 1984
Page 34 Les Rita Mitsouko - Marcia Baila - 1984
Page 17 Téléphone - Un autre monde - 1984
Page 18 Daniel Balavoine - Tous les cris, les S.O.S. - 1985
Page 3 Bérurier Noir - Le renard - 1985
Page 5 Bibie - Tout doucement - 1985
Page 26 Etienne Daho - Tombé pour la France - 1985
Page 3 Jean-Jacques Goldman - Je te donne - 1985
Page 31 Johnny Hallyday - Quelque chose de Tennessee - 1985
Page 19 Les Visiteurs Du Soir - Je t'écris d'un pays - 1985
Page 3 Michel Jonasz - La boîte de Jazz - 1985
Page 16 Marc Lavoine - Les yeux revolver - 1985
Page 12 Message - Dernière nuit - 1985
Page 21 Partenaire Particulier - Partenaire Particulier - 1985
Page 32 Renaud - Mistral Gagnant - 1985
Page 10 Ruth - Polaroïd/Roman/Photo - 1985
Page 14 Marc Seberg - L'éclaircie - 1985
Page 23 Laurent Voulzy - Belle-Île-en-Mer, Marie-Galante - 1985
Page 14 Buzy - Body Physical - 1986
Page 31 Corynne Charby - Boule de flipper - 1986
Page 36 L'enfance Eternelle - Violet Winter - 1986
Page 37 Ettika - Ettika - 1986
Page 22 Gold - Ville de lumière - 1986
Page 29 Allain Leprest - Y'a rien qui s'passe - 1986
Page 26 License IV - Viens boire un p'tit coup à la maison - 1986
Page 5 Caroline Loeb - C'est la Ouate - 1986
Page 37 Jeanne Mas - En rouge et noir - 1986
Page 30 Sabine Paturel - Les bêtises - 1986
Page 13 Jean-Claude Petit - Jean de Florette - Theme - 1986 - OST
Page 12 Julie Pietri - Ève lève-toi - 1986
Page 35 Pijon - Cache cache party - 1986
Page 7 Stephanie de Monaco - Ouragan - 1986
Page 2 Mylène Farmer - Libertine - 1986
Page 4 La Compagnie Créole - Ca fait rire les oiseaux - 1986
Page 19 Francis Lalanne - On se retrouvera - 1986
Page 19 Les Ablettes - Jackie s'en fout - 1986
Page 10 Images - Les démons de minuit - 1986
Page 6 Elli Medeiros - Toi mon toit - 1986
Page 28 Ludwig Von 88 - Bière et punk - 1986
Page 14 Parabellum - Cayenne - 1986
Page 35 Philippe Russo - Magie noire - 1986
Page 25 Trisomie 21 - The last song - 1986
Page 20 Arnold Turboust - Adelaïde - 1986
Page 19 À Caus' des Garçons - À Cause des Garçons - 1987
Page 17 Anyway - Face au monde - 1987
Page 26 Art Zoyd - Baboon's Blood - 1987
Page 4 Jean-Louis Aubert - Les plages - 1987
Page 16 Louis Bertignac - Ces idées-là - 1987
Page 5 Desireless - Voyage Voyage - 1987
Page 37 Martin Dupont - Inside Out - 1987
Page 36 Mylène Farmer - Sans contrefaçon - 1987
Page 31 France Gall - Ella, elle l'a - 1987
Page 33 Jean-Jacques Goldman - Là-bas - 1987
Page 9 Patricia Kaas - Mademoiselle chante le blues - 1987
Page 20 Les Calamités - Vélomoteur - 1987
Page 16 Eddy Louiss - Blues for Klook - 1987 - Jazz
Page 20 Eric Morena - Oh ! Mon bateau - 1987
Page 37 Vanessa Paradis - Joe le taxi - 1987
Page 4 Guesch Patti - Etienne - 1987
Page 23 Michel Portal - Mozambic - 1987 - Jazz
Page 33 Raft - Yaka Dansé - 1987
Page 39 Isabelle Antena - Le poisson des mers du sud - 1988 - Jazz
Page 16 Début de Soirée - Nuit de folie - 1988
Page 35 Dédé Saint-Prix - Mi sé sa - 1988
Page 34 Richard Desjardins - Les Yankees - 1988
Page 9 Les Garçons Bouchers - Carnivore - 1988
Page 12 Gipsy King - Djobi Djoba - 1988
Page 35 Jacques Higelin - Tombé du ciel - 1988
Page 28 Véronique Jannot - Aviateurs - 1988
Page 3 Bernard Lavilliers - On The Road Again - 1988
Page 12 Lightwave - Le Parvis - 1988 - Electro
Page 22 Mano Negra - Mala Vida - 1988
Page 1 Les Négresses Vertes - Voilà L'été - 1988 
Page 13 Norma Loy - Power of spirit - 1988
Page 6 Princess Erika - Trop de Bla-bla - 1988
Page 11 Eric Serra - Le grand bleu - Theme - 1988 - OST
Page 24 Soldat Louis - Du rhum, des femmes - 1988
Page 36 Alain Souchon - Quand je serai K.O. - 1988
Page 23 Tristan - Bonne bonne humeur ce matin - 1988
Page 39 Patrick Bruel - Place des grands hommes - 1989
Page 21 Dominic Sonic - When My Tears Run Cold - 1989
Page 15 Jad Wio - Ophélie - 1989
Page 23 Maurane - Toutes les mamas - 1989
Page 1 Richard Gotainer - Le Combat De Rock - 1989 
Page 3 Zouk Machine - Maldòn (La musique dans la peau) - 1989

Page 21 Michel Berger - Le paradis blanc - 1990
Page 18 Elmer Food Beat - Daniela - 1990
Page 35 Jane Birkin - Love Fifteen - 1990
Page 7 Pauline Ester - Oui, je l'adore - 1990
Page 12 Liane Foly - Au fur et à mesure - 1990
Page 34 Les Freluquets - La débauche - 1990
Page 5 Thierry Hazard - Le Jerk - 1990
Page 39 Maurice Jarre - Ghost - 1990 - OST
Page 24 Little Nemo - L'heure d'hiver - 1990
Page 2 Niagara - J'ai Vu - 1990
Page 18 Vanessa Paradis - Tandem - 1990
Page 1 Pigalle - Dans la salle du bar tabac de la rue des Martyrs - 1990
Page 17 Diane Tell - La légende de jimmy - 1990
Page 19 Joëlle Ursull - White & Black Blues - 1990
Page 25 Les Wampas - Petite fille - 1990
Page 39 Amina - Le dernier qui a parlé - 1991
Page 22 Assassin - Esclave de votre société - 1991
Page 4 Au P'tit Bonheur - J'Veux du Soleil - 1991
Page 19 Dany Brillant - Suzette - 1991
Page 27 Jil Caplan - Tout c'qui nous sépare - 1991
Page 9 Fédération Française de Funk - New Funk Génération - 1991
Page 24 Kent - Tous les mômes - 1991
Page 6 Les Inconnus - Auteuil, Neuilly, Passy - 1991
Page 14 Jean-Louis Murat - Col de la Croix-Morand - 1991
Page 1 Les Rita Mitsouko - Les Amants - 1991
Page 34 Yannick Noah - Saga Africa - 1991
Page 21 Peter Kitsch - Come On sur mon scoot - 1991
Page 30 Les Rats - Je m'emmerde - 1991
Page 38 RoBERT - Les jupes - 1991
Page 2 William Sheller - un Homme Heureux - 1991
Page 2 Mc Solaar - Bouge de là ! - 1991
Page 28 Caline Georgette - On danse - 1992
Page 18 Deep Forest - Sweet Lullaby - 1992
Page 34 Noir Désir - Tostaky (Le continent) - 1992
Page 10 Les innocents - L'autre Finistère - 1992
Page 38 Stéphane Picq - Dune sountrack - Chani's Eyes - 1992 - VGST
Page 10 Pow Wow - Le Chat - 1992
Page 19 Regg'Lyss - Mets de l'huile - 1992
Page 27 Les VRP - Aujourd'hui, c'est dimanche - 1992
Page 2 L'affaire Louis Trio - Mobilis In Mobile - 1993 
Page 31 Âme strong S.A. - Tout est bleu - 1993 - Electro
Page 13 Billy Ze Kick - Mangez-moi ! Mangez-moi ! - 1993
Page 17 Alain Chamfort - L'ennemi dans la glace - 1993
Page 23 Pascal Comelade - Promenade des Schizophrenes - 1993
Page 24 Enzo Enzo - Juste quelqu'un de bien - 1993
Page 33 Loudblast - Cross the Threshold - 1993
Page 40 Mano Solo - Au creux de ton bras - 1993
Page 17 Axelle Red - Sensualité - 1993
Page 2 Alain Souchon - Foule Sentimentale - 1993 
Page 10 Les Thugs - As happy as possible - 1993
Page 7 Pierre Vassiliu - La vie ça va - 1993
Page 33 Alai Bashung - Ma petite entreprise - 1994
Page 38 Francis Cabrel - Je t'aimais, je t'aime et je t'aimerai - 1994
Page 13 Daran et les chaises - Dormir dehors - 1994
Page 7 Gérald De Palmas - Sur La Route - 1994
Page 2 IAM - Le Mia - 1994
Page 20 Lynda Lemay - Le plus fort, c'est mon père - 1994
Page 15 Ministère A.M.E.R. - Plus vite que les balles - 1994
Page 15 Alliance Ethnik - Respect - 1995
Page 29 Arno - Les yeux de ma mère - 1995
Page 26 Blankass - La couleur des blés - 1995
Page 4 Dominique A - Le Twenty-Two bar - 1995
Page 38 Bernard Lavilliers - Melody Tempo Harmony - 1995
Page 38 Napoléon Magloire - Pwan pannié la - 1995
Page 24 Miossec - Non non non non - 1995
Page 21 Mütiilation - Born Under the Master’s Spell - 1995
Page 11 Kat Onoma - La Chambre - 1995
Page 26 Silmarils - Cours vite ! - 1995
Page 2 Suprême NTM - Paris sous les bombes - 1995 
Page 40 Les tétines noires - Têtes fard et lombrics - 1995
Page 30 Blaszcyk et Les Electrolux - Pour vous Madame - 1996
Page 13 Diabologum - La Maman et la Putain - 1996
Page 5 Dimitri from Paris - Sacré Français - 1996 - Electro
Page 6 Doc Gynéco - Nirvana - 1996
Page 33 G-Squad - Aucune fille au monde - 1996
Page 4 Juliette - Rimes Féminines - 1996
Page 6 Khaled - Aïcha - 1996
Page 8 Valérie Lemercier - Goûte mes frites - 1996
Page 20 Philippe Léotard - Lonesome Piéton - 1996
Page 30 Nuttea - La weed brûle - 1996
Page 29 Manu le Malin - An old dream - 1996 - Electro
Page 14 Motorbass - Flying Fingers - 1996
Page 32 Sloy - Idolize - 1996
Page 38 Michel Jonasz - Soul Music Airlines - 1996
Page 3 Yann Tiersen - J'suis jamais allé - 1996
Page 17 Tonton David - Chacun sa route - 1996
Page 8 Ophélie Winter - Dieu m'a donné la foi - 1996
Page 25 Gabriel Yared - The English Patient - Theme - 1996 - OST
Page 39 Akhenaton - Pousse au milieu des cactus, ma rancœur - 1997
Page 3 Daft Punk - Around The World - 1997 - Electro
Page 35 Daft Punk - Da Funk - 1997 - Electro
Page 21 Dolly - Je n'veux pas rester sage - 1997
Page 6 Era - Ameno - 1997
Page 21 Faudel - Tellement je t'aime - 1997
Page 12 Laurent Garnier - Crispy Bacon - 1997 - Electro
Page 38 Louise Attaque - Vous avez l'heure ? - 1997
Page 37 IAM - Petit frère - 1997
Page 10 La Tordue - lola - 1997
Page 20 Les Ogres de Barback - Rue de Panam - 1997
Page 1 Louise Attaque - J't'emmène au vent - 1997
Page 16 Massilia Sound System - Brûle ces papiers - 1997
Page 16 Ménélik - Je me souviens - 1997
Page 19 No One Is Innocent - Nomenklatura - 1997
Page 10 Florent Pagny - Savoir aimer - 1997
Page 17 Rachid Taha - Ya Rayah - 1997
Page 12 Air - Sexy Boy - 1998 - Electro
Page 10 René Aubry - La Grande Cascade - 1998 - Classical
Page 25 Autour de Lucie - Sur tes pas - 1998
Page 5 Alain Bashung - La nuit je mens - 1998
Page 36 Richard Cocciante/Patrick Fiori, Daniel Lavoie and Garou - Belle - Notre-Dame de Paris - 1998
Page 29 Marc Collin - Les Kid Nappeurs - Thème principal - 1998- OST
Page 27 Francis Dhomont - Je te salue, vieil océan ! - 1998 - Classical & Electronic
Page 37 Lara Fabian - Je t'aime - 1998
Page 8 Alex Gopher - The Child - 1998 - Electro
Page 10 Idéal J - Hardcore - 1998
Page 23 Manau - La tribu de Dana - 1998
Page 16 Matmatah - Lambé An Dro - 1998
Page 22 Roudoudou - Peace and Tranquility to Earth - 1998 - Electro
Page 23 Sinclair - Si c'est bon comme ça - 1998
Page 5 Stardust - Music Sounds Better with You - 1998 - Electro
Page 34 Suprême NTM - Ma Benz - 1998
Page 32 Tryo - L'hymne de nos campagnes - 1998
Page 5 Zebda - Tomber le chemise - 1998
Page 37 Cassius - Cassius 1999 - 1999 - Electro
Page 32 Etienne Charry - Par ici la monnaie - 1999
Page 8 Thomas Fersen - La Chauve-Souris - 1999
Page 20 Laidy Laistee - Et si... ? - 1999
Page 15 Larusso - Tu m'oublieras - 1999
Page 13 Lofofora - Les Gens - 1999
Page 35 -M- - Onde sensuelle - 1999
Page 25 Mass Hysteria - Contraddiction - 1999
Page 6 Mr Oizo - Flat Beat - 1999 - Electro
Page 7 Michel Petrucciani - Brazilian Like - 1999 - Jazz
Page 10 Saïan Supa Crew - Angela - 1999
Page 29 Damien Saez - Jeune et con - 1999
Page 37 Patrick Sébastien - Le petit bonhomme en mousse - 1999
Page 22 Hélène Ségara - Il y a trop de gens qui t'aiment - 1999
Page 38 Sergent Garcia - Acabar mal - 1999
Page 33 Svinkels - Réveille le punk - 1999
Page 12 Tahiti 80 - Heartbeat - 1999
Page 15 Erik Truffaz - Siegfried - 1999 - Jazz

Page 6 Alizée - Moi... Lolita - 2000
Page 23 Françoiz Breut - Si tu disais - 2000
Page 30 Grand Popo Football Club - Les hommes, c'est pas des mecs bien ! - 2000 - Electro
Page 20 Michel Houellebecq - Célibataires - 2000
Page 37 Java - Sex, accordéon et alcool - 2000
Page 10 Mirways - Naïve Song - 2000 - Electro
Page 17 Modjo - Lady (Hear me tonight) - 2000 - Electro
Page 11 Nèg' Marrons - Le bilan - 2000
Page 15 Paris Combo - Living Room - 2000
Page 18 Pierpoljak - Maman - 2000
Page 14 St Germain - Rose rouge - 2000 - Electro & Jazz
Page 30 Carnival in Coal - Don't be happy, worry - 2001
Page 32 Le pélican frisé - Les cervelles sont cuites - 2001
Page 2 Etienne Daho et Dani - Comme un Boomerang - 2001
Page 6 Expérience - Aujourd'hui, maintenant - 2001
Page 1 Brigitte Fontaine et Noir Désir - Bis Baby Boum Boum - 2001
Page 13 Gotan Project - Santa Maria - 2001 - Electro
Page 40 High Tone - Bass température - 2001
Page 28 Manu Chao - Me gustas tu - 2001
Page 40 Meï Teï Shô - Chora Di Alma - 2001 - Jazz
Page 1 Noir Désir - Le vent nous portera - 2001
Page 20 The Supermen Lovers - Starlight - 2001 - Electro
Page 1 Hubert-Félix Thiéfaine - Guichet 102 - 2001
Page 33 Corneille - Parce qu'on vient de loin - 2002
Page 14 Eiffel - Tu vois loin - 2002
Page 2 Johnny Hallyday - Marie ! - 2002
Page 8 Le Peuple de l'Herbe - No Escape - 2002
Page 21 One T - The Magic Key - 2002
Page 10 Sanseverino - Mal ô mains - 2002
Page 4 A.S. Dragon - Dirty - 2003
Page 24 Stéphane Belmondo - Notre Père -2003 - Jazz
Page 12 Carla Bruni - Quelqu'un m'a dit - 2003
Page 18 Alexandre Desplat - Girl with a pearl earring - Griet's Theme - 2003 - OST
Page 8 Christophe Héral - Hyllian Suite - 2003 - VGST
Page 12 La Grande Sophie - Devenir grand (On savait) - 2003
Page 16 Les Fatals Picards - Goldorak est mort - 2003
Page 2 M - Qui de nous deux ? - 2003
Page 24 Mc Jean-Gab'1 - Donjon - 2003
Page 5 Mickey 3D - Respire - 2003
Page 39 Jean-Jacques Milteau - Blue 3rd - 2003
Page 5 Tété - A la faveur de l'automne - 2003
Page 6 Keren Ann - La forme et le fond - 2004
Page 30 Amel Bent - Ma philosophie - 2004
Page 23 Anorexia Nervosa - Sister September - 2004
Page 15 Bruno Coulais - Les Choristes - Vois sur ton chemin - 2004 - OST
Page 27 Daniel Darc - Je me souviens, je me rappelle - 2004
Page 9 Vincent Delerm - Fanny Ardant et Moi - 2004
Page 39 Eths - Crucifère - 2004
Page 27 David Lafore - Un baiser, une bombe - 2004
Page 28 Kool Shen - Un ange dans le ciel - 2004
Page 11 La Rue Kétanou - Les hommes que j'aime - 2004
Page 24 Luke - La sentinelle - 2004
Page 17 Passi - Face à la mer (feat Calogero) - 2004
Page 12 Sinsémilia - Tout le bonheur du monde - 2004
Page 34 Uncommonmenfrommars - You can be evil - 2004
Page 15 Bénabar - Le Dîner - 2005
Pgae 29 Mathieu Boogaerts - Une bonne nouvelle - 2005
Page 3 Camille - Ta Douleur - 2005
Page 25 Clarika - Ne me demande pas - 2005
Page 40 Pauline Croze - T'es beau - 2005
Page 25 Hocus Pocus - Hip-Hop ? - 2005
Page 22 Justin(e) - Parle moi - 2005
Page 33 L'Oeuf Raide - Stange 50's - 2005 - Electro
Page 4 Philippe Katerine - Louxor J'adore - 2005
Page 10 Raphaël - Caravane - 2005
Page 6 Olivia Ruiz - J'traîne des pieds - 2005
Page 26 Smooth - Smooth - 2005 - Electro
Page Martin Solveig - Rejection - 2005 - Electro
Page 13 Ulan Bator - Pensées Massacre - 2005
Page 14 Vitalic - My friend Dario - 2005 - Electro
Page 19 Wax Tailor - Our Dance - 2005 - Electro
Page 7 AaRON - U Turn (Lili) - 2006
Page 23 Babx - Crack Maniac - 2006
Page 17 Bob Sinclar - Rock this party (Everybody dance now) - 2006 - Electro
Page 9 Jeanne Cherhal - Voilà - 2006
Page 20 Debout sur le zinc - La déclaration - 2006
Page 30 Diam's - La boulette - 2006
Page 15 Dj Mehdi - Signatune - 2006 - Electro
Page 16 Richard Galliano - Tango pour Claude - 2006 - Jazz
Page 14 Pierre Guimard - Stéphanie - 2006
Page 21 I Love UFO - Like In The Movies - 2006
Page 5 Kamini - Marly-Gomont - 2006
Page 12 Kaolin - Partons vite - 2006
Page 29 Emily Loizeau - Je suis jalouse - 2006
Page 22 Les Shades - Electrique - 2006
Page 5 Renan Luce - La lettre - 2006
Page 9 Mademoiselle K - Ça me vexe - 2006
Page 32 Para One - Dudun dun - 2006 - Electro
Page 25 Adrienne Pauly - J'veux un mec - 2006
Page 13 Rinôçérôse - Cubicle - 2006
Page 3 Emilie Simon - Le vieil amant - 2006 - Electro
Page 38 AqME - Karma & Nicotine - 2007
Page 13 Cocoon - On my way - 2007
Page 22 Pauline Croze - Baiser d'adieu - 2007
Page 33 Dionysos - Le jour le plus froid du monde - 2007
Page 19 Fatal Bazooka - J'aime trop ton boule - 2007
Page 34 Fatal Bazooka - Fous ta cagoule - 2007
Page 11 Jil Is Lucky - The Wanderer - 2007
Page 14 Moriarty - Jimmy - 2007
Page 11 Naast - Mauvais Garçon - 2007
Page 33 Panda Dub - Rastamachine - 2007 - Electro
Page 17 Ultra Orange & Emmanuelle - Sing Sing - 2007
Page 28 Les Ramoneurs de menhirs - Dañs Gwadek 1 - 2007
Page 21 Yelle - Ce jeu - 2007
Page 37 Blackrain - Innocent Rosie - 2008
Page 22 DiscoBitch - C'est beau la bourgeoisie - 2008 - Electro
Page 7 Julien Doré - Les limites - 2008
Page 3 EZ3kiel - Adamantium - 2008 - Electro
Page 16 Grand Corps Malade - Je viens de là - 2008
Page 37 Sébastien Tellier - Roche - 2008
Page 1 Anaïs - Mon coeur, mon amour - 2009
Page 2 Benjamin Biolay - Brandt Rhapsodie - 2009
Page 1 BB Brunes - Lalalove you - 2009
Page 21 Birdy Nam Nam - The Parachute Ending - 2009 - Electro
Page 10 Chapelier Fou - Darling, Darling, Darling - 2009 - Electro
Page 7 Coeur de Pirate - Comme des enfants - 2009
Page 11 Diving With Andy - Sugar Sugar - 2009
Page 38 Helmut Fritz - Ça m'énerve - 2009
Page 15 Magnetix - Mort Clinique - 2009
Page 19 Daniel Mille - Fin d'été - 2009 - Jazz
Page 26 The Parisians - Time for nothing more - 2009
Page 30 Phoenix - Lisztomania - 2009
Page 8 Plastiscines - Barcelona - 2009
Page 8 Pony Pony Run Run - Hey You - 2009
Page 7 Oxmo Puccino - Soleil du Nord - 2009
Page 27 PZK - Les filles adorent - 2009
Page 19 Yodelice - Sunday with a flu - 2009

Page 5 Ben L'Oncle Soul - Soulman - 2010
Page 31 Breakbot - Baby I'm yours - 2010 - Electro
Page 11 Cassius - I love you so - 2010 - Electro
Page 32 Les Ennuis Commencent - La belle saison - 2010
Page 38 Les sales majestés - Soi pauvre et tais-toi ! - 2010
Page 40 Electro Deluxe - Let's go to work - 2010
Page 8 Arnaud Fleurent-Didier - France Culture - 2010
Page 12 Camélia Jordana - Calamity Jane - 2010
Page 4 Kavinsky - Nightcall - 2010 - Electro
Page 36 Murmuüre - Murmuüre - 2010
Page 14 Al'Tarba - Pain Killers - 2011
Page 4 Arthur H - Cheval de Feu - 2011
Page Nina Attal - Run Away - 2011 - Jazz
Page 22 Ludovic Bource - The Artist - Main Theme - 2011 - OST
Page 3 Cascadeur - Walker - 2011
Page 31 Michel Cloup (Duo) - Le cercle parfait - 2011
Page 13 Déportivo - Ivres et débutants - 2011
Page 6 M83 - Midnight City - 2011 - Electro
Page 18 Ibrahim Maalouf - Beirut - 2011 - Jazz
Page 17 Izïa Higelin - So much trouble - 2011
Page 21 Le Sacre du Tympan - Plurabella's walk - 2011
Page 19 Oldelaf - La Tristitude - 2011
Page 2 Orelsan - Suicide Social - 2011
Page 18 SebastiAn - Embody - 2011 - Electro
Page 36 Hubert-Félix Thiéfaine - La ruelle des morts - 2011
Page 28 Tiwony - Mon continent - 2011
Page 16 Arne Vinzon - Lente dépression - 2011
Page 23 Aline - Je bois, et puis je danse - 2012
Page 38 Arlt - Le périscope - 2012
Page 11 Bertrand Burgalat - Bardot's Dance - 2012
Page 9 C2C - Down The Road - 2012 - Electro
Page 8 Barbara Carlotti - L'amour, l'argent, le vent - 2012
Page 21 Cobra - Nihilistes - 2012
Page 19 Andy Emler - Good Games - 2012 - Jazz
Page 16 Gojira - L'enfant sauvage - 2012
Page 15 Klub Des loobers - Volutes - 2012
Page 24 Lescop - La forêt - 2012
Page 33 Bruno Mantovani - Jeux d'eau - 2012 - Classical
Page 27 Zoufris Maracas - Et ta mère - 2012
Page 33 Renart - Au matin, la mort de l'astre - 2012 - Electro
Page 21 Philippe Rombi - Dans la maison - Theme - 2012 - OST
Page 28 Rone - Bye Bye Macadam - 2012 - Electro
Page 9 Rover - Aqualast - 2012
Page 33 Skip The Use - Ghost - 2012
Page 1 Sébastien Tellier - Cochon Ville - 2012
Page 29 Margaux Avril - C'était la nuit - 2013
Page 39 Chassol - Odissi - 2013
Page 32 Cliché - Hélicon - 2013
Page 22 Jabberwocky - Photomaton - 2013 - Electro
Page 15 Jérôme Echenoz - Le chrome et le coton - 2013
Page 10 Fauve ≠ - Blizzard - 2013
Page 40 Gesaffelstein - Pursuit - 2013 - Electro
Page 25 La Belle Bleue - Les elephants du Morimondo - 2013
Page 13 La Femme - Sur la planche 2013 - 2013
Page 16 Indila - Dernière Danse - 2013
Page 29 Kaaris - Zoo - 2013
Page 32 Laurent Lamarca - Taxi - 2013
Page 32 La Maison Tellier - Sur un volcan - 2013
Page 27 Thierry Maillard Trio - La côte sauvage - 2013 - Jazz
Page 7 Mendelson - D'un coup - 2013
Page 1 Moodoïd - De Folie Pure - 2013
Page 29 Necrowretch - Putrid Death Sorcery - 2013
Page 27 Oiseaux-Tempête - Ouroboros - 2013
Page 9 Petit Fantôme - Peio - 2013 - Electro
Page 27 Talisco - The Keys - 2013
Page 36 Tagada Jones - De l'Amour & Du Sang - 2013
Page 27 Woodkid - Iron - 2013
Page 4 Zaz - On ira ! - 2013
Page 32 Daniel Zimmermann - Flying Pachydermes - 2013 - Jazz
Page 26 Black M - Sur ma route - 2014
Page 31 Brigitte - A bouche que veux-tu - 2014
Page 38 Calogero - Le portrait - 2014
Page 15 Christine and The Queens - Christine - 2014
Page 20 Dabeull - TR 707 - 2014 - Electro
Page 31 Leïla Huissoud - Le bistrot - 2014
Page 29 Etienne Jaumet - La visite - 2014 - Electro & Jazz
Page 6 Dorian Pimpernel - OVLAR E - 2014
Page 25 Emile Parisien - Hysm - 2014 - Jazz
Page 30 La Féline - Adieu l'enfance - 2014
Page 15 Forever Pavot - Les cigognes nénuphars - 2014
Page 23 Adrien Gallo - Monokini - 2014
Page 21 Marina Kaye - Homeless - 2014
Page 27 MOOON - Neptune - 2014 - Electro
Page 19 Mustang - Le sens des affaires - 2014
Page 10 Shaka ponk - Story O' my LF - 2014
Page 11 Lilly Wood & The Prick - Prayer in C - 2014
Page 8 Kid Francescoli - Blow Up - 2014
Page 10 Charles Pasi - Better with butter - 2014 - Jazz
Page 34 Tiwony Ft. Typical Féfé, Straïka D - Avec Du Love - 2014
Page 14 The Avener - Fade Out Lines - 2014 - Electro
Page 32 Cléa Vincent - Château perdu - 2014
Page 28 Armand Amar - Human - The storm - 2015 - OST
Page 24 Bertrand Belin - Le mot juste (Le beau geste) - 2015
Page 36 Flavien Berger - La fête noire - 2015
Page 19 Jac Berrocal - Solaris - 2015 - Jazz
Page 30 L'impératrice - Vanille Fraise - 2015
Page 23 Jain - Come - 2015
Page 27 Marvin Jouno - Quitte à me quitter - 2015
Page 20 Feu! Chatterton - La Malinche - 2015
Page 28 Jacques - Tout est magnifique - 2015 - Electro
Page 34 Jean Tonique - Near You - 2015 - Electro
Page 14 Bastien Lallemant - Un million d'années - 2015
Page 18 Bachar Mar-Khalifé - Kyrie Eleison - 2015
Page 40 Pierre de Bethmann Trio - Indifference - 2015 - Jazz
Page 36 J.C.Satàn - Waiting For You - 2015
Page 39 L.E.J - La dalle - 2015
Page 35 Natural Snow Buildings - Sun Tower - 2015
Page 31 Ofenbach - Be mine - 2016
Page 35 Pneu - Catadioptre Ambidextre - 2015
Page 30 Maître Gims - Sapé comme jamais - 2015
Page 32 Lisa Urt - La voix du bonheur - 2015 - Jazz
Page 30 Agar Agar - Prettiest Virgin - 2016
Page 23 Juliette Armanet - Manque d'amour - 2016
Page 35 Calypso Valois - Le jour - 2016
Page 35 Dionysos - Guerrier de porcelaine - 2016
Page 24 Facteurs Chevaux - Les dames de pluie - 2016
Page 30 Hadouk Trio - Le matin du Faune - 2016 - Jazz
Page 25 Kery James - Racailles - 2016
Page 37 Loïs Le Van - Redwood Meadow - 2016 - Jazz
Page 31 The Limiñanas - Prisunic - 2016
Page 25 Guillaume Perret - Heavy Dance - 2016 - Jazz & Electro
Page 33 PNL - DA - 2016
Page 28 Séverin - Contrôle ta samba - 2016
Page 26 Sidabitball - JellyFish - 2016 - Electro
Page 33 Sidilarsen - Spread It - 2016
Page 39 Apollo Noir - P.4.R.1.5 - 2017 - Electronic
Page 34 Bigflo & Oli - Dommage - 2017
Page 30 Les discrets - Le reproche - 2017
Page 30 Eddy de Pretto - Fête de trop - 2017
Page 34 Fishbach - Un autre que moi - 2017
Page 35 Charlotte Gainsbourg - Kate - 2017
Page 36 Jessica93 - Anti cafard 2000 - 2017
Page 32 Christophe Julien - Au revoir là-haut - Bon voyage, soldat Maillard - 2017 - OST
Page 32 Madame Guillotine - Cao Bang - 2017
Page 39 Songhoy Blues - Bamako - 2017
Page 36 Toufic Farroukh - Villes invisibles - 2017 - Jazz
Page 38 Tony Paeleman - Zadar - 2017 - Jazz
Page 36 Polo & Pan - Coeur croisé - 2017 - Electro
Page 38 ALT 236 - Three Thousand levels - 2018
Page 37 Brace! Brace! - I'm a Jelly - 2018
Page 38 Cannibale - Not Easy To Cook - 2018
Page 32 Johnny Hallyday - J'en parlerai au diable - 2018
Page 33 Arnaud Le Gouëfflec - La Faveur de la nuit - 2018
Page 35 Lomepal - Trop beau - 2018
Page 32 Aya Nakamura - Djadja - 2018
Page 40 Trois cafés gourmands - À nos souvenirs - 2018
Page 39 L'Épée - Springfield 61 - 2019
Page 37 Les Frangines - Si j'osais - 2019
Page 35 Le Superhomard - Paper Girl - 2019
Page 37 Le Villejuif Underground - I'm Sorry JC - 2019
Page 37 Lorenzo - Damdamdeo - 2019
Page 38 Tiwayo - Wild- 2019
Page 40 Vald, Journal perso II - 2019

Before 50's 104
50's 28
60's 140
70's 141
80's 141
90's 141
00's 127
10's 153
975

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Romain
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Re: France - One song per day.

Post by Romain » Tue Dec 24, 2019 4:35 pm

Ti Raoul - man fwansiné - 2005
Bèlè

Album: Misyé bèlè

anpajbele.fr (DeepL translate)

The singer:
Ti Raoul or Ti Ayoul, whose real name is Pierre Raoul Grivalliers, is an emblematic and unavoidable figure of the Bèlè Samaritan. Son of Esther Cébarec and Calixte Grivalliers, he was born in the Peruvian district of Sainte-Marie on August 3, 1934.


He is above all the eldest of a line of eleven children who will write the saga of the Grivalliers and who includes other unavoidable members of the Bèlè: Berthé, now deceased, Clothaire and Fortuna. He is the father of three children.


It is said that it was on the lap of his aunt Clémence Boniface Cébarec that Ti Raoul was imbued very early on with the Bèlè Culture, a culture he would later ardently defend. He listens, observes and learns. The legendary figures of the time will teach him a lot: Esther, his mother, Clémence and Stéphane Cébarec, Galfètè, Jean Annette...



Very young, Ti-Raoul had to leave school to work in the "tibann". As an adult, he became an agricultural worker and did all the work related to the cultivation of cane.

As a teenager, his uncle Stéphane Cébarec gave him the opportunity to sing during the Swarés and we will soon notice his particular style and especially his nasal voice marked by the kadans bèlè which will sign his vocal identity. His uncompromising relevance then allows him to create and compose on the spot chan bèlè with acerbic lyrics that evoke the country's societal, economic, political and cultural problems.


At the beginning of the 1950s, his fame descending the mornes and arriving in Fort-de-France, Ti Raoul was invited to join Loulou Boislaville's folk ballet. They went on tour in France in 1952.

In 1953, Ti Raoul left with Raphaël PROSPA's group and recorded his first records with the Maison des Meringués directed by the Balthazard couple. He stayed in France until 1975.

During this long stay, he will obtain a CAP in building painting. He then practiced the profession of painter and Ti Raoul, no longer able to practice Bèlè, did not lose his vocation as a singer. His mother Esther claimed him, and after 12 years, he returned to the Peruvian quarter in Sainte-Marie.



After his return, he settled down as a farmer and made a living selling the various vegetables he planted and harvested himself. He lived for 28 years in the Chertine district in Sainte-Marie in the heart of the Samaritan countryside, which was to be a source of pleasure and inspiration for him.

This return to his homeland also allowed him to observe with surprise and satisfaction the development of the phenomenon of the emergence of Bèlè groups while he was in France. He therefore created his own group, "Kaspasa" then "TI Raoul and his Group".



The life of the Swaré Bèlè resumes and it's a success! Alongside Gran Zansyen such as Ti Emile, Siméline Rangon, Carmélite Rastocle or Félix Casérus, to name but a few, Ti Raoul made his mark on the Swaré with his undeniable talent. Dreadful and demanding, he does not hesitate to make observations or other remarks when a kavalié deviates from the codes, when a bwatè or a tanbouyé is failing. And, he is also appreciated in lawonn danmyé for the warlike energy he knows how to give to the fighters.



Ti Raoul is a true ambassador of the Danmyé-Kalennda-Bèlè Culture. He has travelled to France, Morocco, Spain, Canada, the United States, Guadeloupe and Cuba to promote this intangible heritage.

In 1988, his discography includes La Riviè Léza, an Apal production, followed ten years later by Mi Bèlè a.

In 2002 he made a much appreciated intervention on Kali's album Bèlè Boum Bap with two tracks, Mwen an trou krab la and Mizik sé twavay nou. He worked with Dédé Saint-Prix, a fervent defender of Chouval Bwa music. He can also be heard on recordings made in 1962 by Alan Lomax, some of which led to the production of a CD "Caribbean Voyage - Martinique".

Misyé Bèlè, an album released by Mizik Label, will sign his return to the forefront in 2004, for which he will receive a SACEM Award the following year.

Lived by many as a man with a difficult and inflexible character, he was not always understood. However, his outspokenness, his great concern for quality and rigour, and above all his special voice, which serves his formidable talent as a singer and leader of Swaré and Rendezvous Danmyé, are undoubtedly recognised.

In recent years, he has retired from the limelight. We hardly saw him in the swaré bèlè anymore. But, in 2016, on the occasion of the Swaré Bèlè of the Sanmdi Gloriya at Pitt Casérus in Sainte-Marie, he made a much appreciated appearance, full of energy, in the image of the uncompromising and uncompromising personality that is Ti-Raoul.

Misyé Bèlè passed away on December 18, 2017 after a long illness.



Wikipédia:

Bélé:
A bélé is a folk dance and music from Martinique, St. Lucia, Dominica, Haiti, Grenada, and Guadeloupe. It may be the oldest Creole dance of the creole French West Indian Islands, and it strongly reflects influences from African fertility dances. It is performed most commonly during full moon evenings, or sometimes during funeral wakes (Antillean Creole: lavèyé). The dance is also popular in Saint Lucia. In Tobago, it is thought to have been performed by women at social events in the planters' great houses, and the dress and dance style copied by the slaves who worked in or around these houses.

The term bélé also refers to a kind of drum found on Haiti, Dominica, Martinique and Saint Lucia.

Origin:
The bélé dance formed from a combination of traditional African moves and a Caribbean traits due to the changed landscape, musical instruments, and tumultuous lifestyle.

In Africa, the bélé dance had origins in festivals associated with mating and fertility. A male and female (in Creole, the "Cavalier" and the "Dam") show off their dance skills to the other dancer, hinting at their sexuality in chants led by a "chantuelle" meaning singer and the refrain or "lavway" given by a chorus of spectators. The cavalier and dam take turns dancing. The cavalier first demonstrates his prowess, then the dam reacts. The cavalier again courts with the dam, and the both dance in the wildest part of the bélé.

In the West Indies, the dance incorporated into work and periods of festivity and lamenting. Because the bélé dance ranged through so many diverse events and life-events, the dance and music continued to evolve over time from slavery into freedom. The French named the dance "Belaire," or good air, which shortened to bélé.


efrain : Man Fwansiné
Lead :Mwen soti Kanada
Refrain : Désabié’w
Lead : Soti Frappé lé pa
Refrain : Man Fwansiné
Lead : Nou Tout viré barba
Refrain : Désabiéw
Lead :Mi an bann ababa
Refrain : Man Fwansiné
Lead : Mwen za téléphoné’w
Refrain : Désabiéw
Lead :Paka viré répnn mwen
Refrain : Man Fwansiné
Lead: Lapin Couyonné nou
Refrain : Désabié’w
Lead : Mwen za téléphonéw
Refrain : Man Fwansiné
Lead : Ou ké koto milo
Refrain : Désabié’w
Lead: Ou Ké konté lolo
Refrain : Man Fwansiné
Lead : Ou ka désen’n o
Refrain Désabiéw
Lead: Pa Bib koto lolo
Refrain : Man Fwansiné
SAX/Banjo
Refrain Désabié’w
SAX/Banjo
Refrain : Man Fwansiné
SAXJBanjo
Refrain : Désabiéw
Lead: Popobogodo lolo
Refrain : Man Fwansiné
Lead : Mwen soti Kanada
Refrain : Désabié’w
Lead : Mwen soti lot bd a
Refrain : Man Fwansiné
Lead: Soti Frappé lé pa
Refrain : Désabiéw
Lead : Nou Tout viré barba
Refrain : Man Fwansiné
Lead Mi an bann ababa
Refrain : Désabié’w
Lead : Mwen za télépbonéw
Refrain : Man Fwansiné
Lead: Lapin Couyonin nou
Refrain : Désabiéw
Lead : Mwen za téléphoné’w
Refrain : Man Fwansiné
Lead : Batem la ka roulé
Refrain : Désabiéw
Lead : Yo fouté mwen déwô
Refrain : Man Fwansiné
Lead: Ou Ké konté lolo
Refrain : Désabiéw
Lead: Ou ké konté mibo
Refrain : Man Fwansiné
Lead : Ou Ké konté lolo
Refrain : Désabiéw

Lead: Pokobokodo lolo
Refrain Man Fwansiné
Banjo
Refrain Désabiéw
Lead : Pilékédo lolo
Lead Mwen soti lot bd a
Refrain : Désabiéw
Lead: Mwen soti Kanada
Refrain: Man Fwansiné
Lead: Soti Frappé lé pa
Refrain : Désabié’w
Lead : Nou Tout viré barba
Refrain : Man Fwansiné
Lead : Mi an bann ababa
Refrain : Désabiéw
Lead: Lapin Couyonin nou
Refrain : Man Fwansiné
Lead: Batem la ka roulé
Refrain : Désabié’w
Lead : Yo fouté mwen déwô
Refrain : Man Fwansiné
Lead: Rokon té lolo
Refrain: Désabié’w
Lead: Rokontré mibo
Refrain : Man Fwansiné
Lead : Wa désen’n o
Refrain : Désabiéw
Lead : Pa Bib koto lolo
Refrain : Man Fwansiné
Re

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Romain
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Re: France - One song per day.

Post by Romain » Sun Dec 29, 2019 6:39 am

Sylvain Vanot - Il fait soleil - 2002
Chanson.

Album: Il fait soleil (RYM: 3,67/5)

Wikipédia: (DeepL translate)
Silvain Vanot is a French singer-songwriter, born in 1963 in Rouen. He is the author of seven albums and also composes music for the cinema.

Silvain Vanot was born in 1963 and grew up near Rouen. During his childhood, one of his uncles introduced him to rock music. He founded his first bands as a teenager. As a student in khâgne at the Lycée Victor-Duruy in Paris, he failed the agrégation de lettres exam. He taught French at the Saint-John Perse course while continuing to compose and write in the rock press. For six years, he sent demos to labels and radio stations without arousing their interest.

His first self-produced EP was released in 1992. One of his demos was noticed by the singer Jean-Louis Murat, who recommended him to his record company. Silvain Vanot's first album, recorded at the Davout studio, was released in 1993 by Delabel and Virgin Editions. Vanot supported Jean-Louis Murat on tour and performed at the "Festival des Inrockuptibles". His album sold 8,000 copies. Vanot worked on his voice with singing teacher Annette Charlot. His second album, Sur des arbres, was released in 1995. Marc Ribot and Dominique A took part in the recording. With the latter, he covered Marc Bolan's Seagull Woman, which he adapted into French. The album has a richer sound, thanks in particular to the string instruments. Silvain Vanot is touring as a headliner to promote the album. Sales reached 10,000 copies. In 1996, he played at the Printemps de Bourges festival and at the La Route du Rock festival.

The following year, he recorded his 3rd album at the Quad Studios in Nashville with new musicians, including Dominique Depret who later founded the group Holden. (Meanwhile) Tout brille, released in 1999, is composed of old tracks performed live in acoustic versions. Silvain Vanot writes a biography of Bob Dylan, published in 2001 in the music collection of Librio. His album Il fait soleil, released in 2002, was recorded at the Palais des congrès studio. The singer, who for the first time called in an artistic director, entrusted the task to Jacques Ehrhart. The album was arranged by Bernard Arcadio. The album opened with a cover of Jean-Roger Caussimon.

9,10 After breaking his contract with his label, Vanot devoted himself to composing film music. He worked on Jean-Marc Moutout's Violence des échanges en milieu tempéré and on several films by Henri-François Imbert, including Le Temps des amoureuses. In 2009, he returned to songwriting with his 6th album, Bethesda, recorded in Wales. The singer is notably accompanied by bassist John Greaves, drummer Iain Templeton and clarinettist Renaud Gabriel Pion.

In June 2016, he released a seventh album, Ithaque, on the 03H50 label, recorded alone, with the exception of contributions from John Greaves and Brad Scott.


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Re: France - One song per day.

Post by Romain » Mon Dec 30, 2019 8:49 am

Next song.

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Re: France - One song per day.

Post by Romain » Mon Dec 30, 2019 8:57 am

Garou - Seul - 2000
Pop Rock, Adult Contemporary, Canadian

Album: Seul (RYM: 2.22/5)

Wikipédia:
Pierre Garand (born 26 June 1972), known by his stage name Garou (a diminutive of his last name "Garand"), is a Canadian singer and actor from Sherbrooke, Quebec.

He is known for his work in the musical Notre-Dame de Paris (playing Quasimodo in both the original French and English casts) and the No. 1 hits "Belle", "Seul", "Sous le vent", and "La Rivière de notre enfance". He currently holds the SNEP record for most weeks at No. 1.

Garou began playing the guitar at the age of three at the encouragement of his father (he also plays piano and trumpet). He went on to serve in the military and started a band in 1992 called the Untouchables. In 1997, he was discovered by Luc Plamondon while singing American blues tunes in a Sherbrooke bar. He was drafted by Plamondon to play the role of Quasimodo in his musical Notre-Dame de Paris, which made him a star in France.

His first album Seul became the best-selling French album of 2001 and remains one of the best-selling French albums of all time, achieving 2 million sales in Europe and going three times platinum in Canada.

He continued his string of hits with a live album and his sophomore effort Reviens in 2003. Sales for his third album Garou remained strong and he released his English crossover Piece of My Soul in 2008. The album debuted at No. 2 in Canada and No. 3 in France. Despite this, the album became his first album in France not to reach platinum status although it became his best-selling album in North America in seven years. His next album, Gentleman cambrioleur features cover songs in French and English and became his first album to miss the top five in France, where it modestly peaked at No. 35, staying on the charts for 17 weeks. He released Version Intégrale in 2010 which became another Top 40 hit in France and Canada.

Garou performed the Jean-Pierre Ferland song "Un peu plus haut, un peu plus loin" (A Little Higher, A Little Farther) at the 2010 Winter Olympics opening ceremony in Vancouver, British Columbia. He has also performed at the charity event Les Enfoirés for the past 19 years.

His latest effort Rhythm and Blues became his highest peaking album in four years. It is his second covers album and pays tribute to classic R&B music.

The song:
"Seul" is the name of a 2000 song recorded by the Canadian singer Garou. It was released on October 2000 as the first single from his debut album, Seul, on which it features as the fourth track. It achieved a smash success in France and Belgium (Wallonia) where it topped the charts for three months, and was a top ten hit in Switzerland. To date, it is his most successful solo single (Garou has other #1 in duets and a trio).


Tant de fois j`ai tenté
D`aller toucher les étoiles
Que souvent en tombant
Je m`y suis fait mal

Tant de fois j`ai pensé
Avoir franchi les limites
Mais toujours une femme
M`a remis en orbite

Tant de fois j`ai grimpé

Jusqu`au plus haut des cimes
Que je m`suis retrouvé
Seul au fond de l`abîme
Seul au fond de l`abîme

Celui qui n`a jamais été seul
Au moins une fois dans sa vie
Seul au fond de son lit
Seul au bout de la nuit

Celui qui n`a jamais été seul
Au moins une fois dans sa vie
Peut-il seulement aimer
Peut-il aimer jamais

Tant d`amis sont partis
Du jour au lendemain
Que je sais aujourd`hui
Qu`on peut mourir demain

On a beau tout avoir
L`argent l`amour, la gloire
Il y a toujours un soir
Où l`on se retrouve seul
Seul au point de départ

Celui qui n`a jamais été seul
Au moins une fois dans sa vie
Seul au fond de son lit
Seul au bout de la nuit

Celui qui n`a jamais été seul
Au moins une fois dans sa vie
Peut-il seulemetn aimer
Peut-il aimer jamais

Tant de fois j`ai été
Jusqu`au bout de mes rêves
Que je continuerai
Jusqu`à ce que j`en crève
Que je continuerai
Que je continuerai

Celui qui n`a jamais été seul

Au moins une fois dans sa vie
Seul au fond de son lit
Seul au bout de la nuit

Peut-il seulement aimer
Jamais, jamais

Je continuerai
Je continuerai

Peut-il jamais aimer…


So many times have I tried
To touch the stars
And while falling down
I often I hurt myself

So many times did I believe
That I have crossed the limits
But everytime a woman
Put me back into the orbit

So many times have I climbed
To the top of the highest peaks
But I found myself
Alone down in the abyss
Alone down in the abyss

He who has never been alone
Not even once in his life
Alone in his bed
Alone at the end of the night

He who has never been alone
Not even once in his life
Will he know how to just love
Will he ever know how to love

So many friends have left
Overnight
And I know today
That I could die tomorrow

It seems like we have everything
Money,love, glory
There will always be a night
When you find yourself alone
Alone right at the beginning

He who has never been alone
Not even once in his life
Alone in his bed
Alone at the end of the night

He who has never been alone
Not even once in his life
Will he know how to just love
Will he ever know how to love

So many time have I been
To the end of my dreams
That I will go on
Just until I break down
That I will go on
That I will go on

He who has never been alone
Not even once in his life
Alone in his bed
Alone at the end of the night

Will he know how to just love
Never, never
I will go on
I will go on

Will he ever know how to love

Thanks to LyricsTranslate.

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Romain
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Re: France - One song per day.

Post by Romain » Tue Dec 31, 2019 1:21 pm

Next song.

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Re: France - One song per day.

Post by Romain » Tue Dec 31, 2019 1:27 pm

Cecil Leuter - Sad moments - 1985 - Electro
Library Music, Electronic, Ambient

Album: Altitude 3000 (RYM: 3.59/5)

Wikipédia:
Roger Roger (5 August 1911 – 12 June 1995) was a French film composer and bandleader. His aliases included Eric Swan and Cecil Leuter, the last being a pseudonym he used for his electronic productions. He was one of the first, with Pierre Henry and Jean-Jacques Perrey, to experiment with the Moog synthesizer; his Pop Electronique album was released in 1969, five years after Bob Moog put his electronic device on the market.

Roger died in Paris in 1995. Since his death, renewed interest in light music has seen several CD albums released, both in dedicated albums and in compilations, including music used under the test card by the BBC in the 1970s.

He is listed as the composer for two episodes of the Flash Gordon (1954) television series, and for the series' incidental music.

In 1971 he released the album Jungle Obssession, on Neuilly Records, with frequent collaborator of childhood friend Nino Nardini.

His piece "Komic Kapers" was used in the 1950s by the Commonwealth cartoon distribution company. They put it as the opening music when adding sound to many of Paul Terry's silent Farmer Alfalfa cartoons from the 1920s (also known as Farmer Grey). Although never chosen by Terry, Rogers's piece was indelibly imprinted on a whole generation of children as the signature tune for these strange, eerie, frantic cartoons.


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Re: France - One song per day.

Post by Romain » Thu Jan 02, 2020 1:43 pm

Next song.

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Re: France - One song per day.

Post by Romain » Thu Jan 02, 2020 1:46 pm

Cocoon - On My Way - 2007
Folk Pop, Indie Folk, Indie Pop

Album: My Friends All Died in a Plane Crash (RYM: 3.30/5)

Wikipédia:
Cocoon is a French pop-folk band from Clermont-Ferrand (France) that sings in English. It was created in 2006 by Mark Daumail (born 6 December 1984), alongside Morgane Imbeaud. They released the albums My Friends all Died in a Plane Crash in 2007 and Where the Oceans End in 2010, which were defined by dual lead vocals from both, and by its coupling of mostly upbeat-sounding music and very dark lyrics.



The band's first album, My Friends all Died in a Plane Crash, was released on 22 October 2007. It proved to be an international commercial and critical success selling over 150,000 copies and certified platinum in France.

After their first album, Cocoon released the live CD/DVD, Back to Panda Mountains, on 7 September 2009. Following the release of a live CD/DVD, they went on a world tour, dubbed the "Baby Panda Tour".

In April 2010, the band started to record their second studio album, Where the Oceans End. This second record also went platinum, selling more than 150,000 copies worldwide.

In 2012, Cocoon entered a hiatus, due to the duo being tired after touring extensively, and wanting to focus on other projects.

During this hiatus, Daumail started to write songs while at the hospital, during his and his family's stay due to his son being born with cardiac problems. He soon realized that those songs were made for Coon, and contacted Imbeaud for a reunion. However, she was busy with other projects; she insisted that Daumail would do the new album without her, as its themes were more personal for him. He decided not to replace her by another female singer, and made the album as a sole member.

The album, Welcome Home, featuring Matthew E. White and Natalie Prass, was released in 2016 to similar commercial and critical success.

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Re: France - One song per day.

Post by Romain » Fri Jan 03, 2020 5:18 pm

Next song.

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Re: France - One song per day.

Post by Romain » Fri Jan 03, 2020 5:27 pm

Indochine - 3e sexe - 1985


Album: 3 (RYM: 3.40/5)


Wikipédia:
Indochine (French pronunciation: ​[ɛ̃dɔʃin]) is a French pop rock and new wave band formed in Paris in 1981. It became very successful in the Francophonie, Europe and Latin America in the 1980s, with songs like "L'Aventurier" and "Canary Bay". Following the release of several critically acclaimed, but commercially unsuccessful, albums in the 1990s, the group returned to stardom with the release of Paradize in 2002. The band has sold over 10 million albums and singles, making them one of the best selling French bands.

1980s
Indochine (French for Indochina) was formed in 1981 by two Frenchmen in their early twenties, Nicola Sirkis and Dominique Nicolas, in Paris. They soon added Dimitri Bodianski, the cousin of one of Nicola's friends.

They gave their first concert at Le Rose Bonbon, a café in Paris on 29 September 1981. This brief performance on stage earned them their first contract with a record company.

They recorded their first single in November 1981. It included two songs, "Dizzidence Politik" and "Françoise", but drew more attention from critics than from the mainstream media and only reached a limited audience.

Stéphane Sirkis, Nicola's twin brother who had already performed with the band on stage, officially joined the band, and in April 1982 the group recorded their first album, L'Aventurier, which sold more than 250,000 copies. The album was well received by the press and by an emerging new wave audience.

L'aventurier is the song of the summer 1982 in France.

In 1983, Indochine released a second album entitled Le Péril Jaune ("Yellow Peril") which sold 225,000 copies. Indochine had by this stage become a major act in French music. In 1984, the band toured France. They were also successful in Scandinavia, most notably in Sweden.

By 1985, they had achieved a large following, reflected by the success of such songs as "Troisième sexe" ("third sex"), "Canary Bay", and "Trois nuits par semaine". Their third album, 3, sold 750,000 copies in Europe. Serge Gainsbourg directed the video to "Tes yeux noirs", one of the group's most successful songs.

Indochine becomes the largest "new wave" band in France.

In 1986, to celebrate the fifth anniversary of the band, Indochine decided to release the recording of the concert given at the Zénith in Paris.

Their fourth album, 7000 Danses, produced by Joe Glasman, was released in 1987. It sold about 320,000 copies making it a successful album though far less so than its predecessor, 3. This is partly due to the band's efforts to produce a less mainstream, commercial album.[citation needed] 7000 Danses was also released amidst a polemic stemming from rock critics claiming that Indochine were a mere copy of British band The Cure. In spite of the polemic, the public continued to support the group.

In March 1988, Indochine began their world tour going to Montreal, Canada and Lima, Peru.[2]

In Lima, Peru sold 300,000 copies of the 33 tours Live au Zénith in early 1987, and also this is the only country in Latin America where the band was successful.

The single "l'aventurier" won the French awards "bus d'acier 1983".

...

https://en.wikipedia.org/wiki/Indochine_(band)

Album:
3 is the third studio album by French new wave band, Indochine. It was released in 1985 in France, Germany, Canada, Japan and Sweden.

"3eme Sexe" was the inspiration for Mylène Farmer's song "Sans contrefaçon". Miss Kittin covered "3ème Sexe" for her album I Com.


Dans la rue des tenues charmantes
Maquillé comme mon fiancé
Garçon, fille l'allure stupéfiante
Habillé comme ma fiancée
Cheveux longs cheveux blonds colorés
Toute nue dans une boîte en fer
Il est belle, il est beau décrié
L'outragé mais j'en ai rien à faire

J'ai pas envie de la voir nue
J'ai pas envie de le voir nu
Et j'aime cette fille aux cheveux longs
Et ce garçon qui pourrait dire non

Et on se prend la main (×2)
Une fille au masculin
Un garçon au féminin
Et eux ne valaient rien (×2)
Et on n'en a plus besoin (×2)

Des visages dans des cheveux d'or
Qui... oublient leur vertu
Mais c'est pas vrai
Qu'ils ont l'air d'un conquistador
Asexués une fois dévêtus
Qui croire quand on les voit comme ça
Excitant toutes les petites filles
Pourquoi on n'y croit plus comme ça
Isolé dans un corps presqu’île

Des robes longues pour tous les garçons
Habillés comme ma fiancée
Pour des filles sans contrefaçons
Maquillées comme mon fiancé
Le grand choc pour les plus vicieux

C'est bientôt la chasse aux sorcières
Ambiguë jusqu'au fond des yeux
Le retour de Jupiter

J'ai pas envie de la voir nue
J'ai pas envie de le voir nu.

In the street, lovely outfits
Made up like my fiancé
Boy, girl stunning appearance
Dressed up like my fiancée
Long hair, colored blond hair
Naked in an iron box
He's pretty, he's denigrated beautiful
Insulted but I don't care

I don't want to see her naked
I don't want to see him naked
And I love this blond-haired girl
And this boy who could say no

And we're holding our hands (x2)
A girl as such as a male
A boy as such as a female
And they were unworthy (x2)
And we don't need them anymore (x2)

Faces in golden hair
Which... forget their virtue
But it's not true
They don't look like a conquistador
Sexless when they're undressed
Who believe when you seem them just like that
Exciting all the little girls
Why we don't believe it like that
Isolated in a peninsula body

Long dresses for all the boys
Dressed up like my fiancée
For girl without forgery
Made up like my fiancé
Big confrontation for the most vicious

It's soon the witch-hunting
Unclear until the bottom of the eyes
The comeback of Jupiter

I don't want to see her naked
I don't want to see him naked

Thanks to racmat on LyricsTranslate.

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Re: France - One song per day.

Post by Romain » Sun Jan 05, 2020 5:04 pm

Next song.

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Re: France - One song per day.

Post by Romain » Sun Jan 05, 2020 5:26 pm

Baude Cordier - Tout par compas suy composés - late 14th - Classical
Ars subtilior, renaissance


Wikipédia:
Baude Cordier (born c. 1380 in Rheims, died before 1440) was a French composer from Rheims; it has been suggested that Cordier was the nom de plume of Baude Fresnel.

Cordier's works are considered among the prime examples of ars subtilior. In line with that cultural trend, he was fond of using red note notation, also known as coloration, a technique stemming from the general practice of mensural notation. The change in color adjusts the rhythm of a particular note from its usual form. (This musical style and type of notation has also been termed "mannerism" and "mannered notation.")

Ten of Cordier's secular pieces survive, most of which are rondeaux:
Some are in the rhythmically complex late fourteenth-century French style of ars subtilior, such as "Amans amés secretement" (Lovers, love discreetly).
Others are simpler, with greater emphasis on lyrical melody, such as "Belle, Bonne, Sage", also transcribed in HAM, and characterized with "Amans" as a rondeau.

Two of the composer's chansons are in the Chantilly Manuscript and are well-known examples of eye music:
The love song "Belle, Bonne, Sage" ("Beautiful, Good, Wise"). The manuscript is in the shape of a heart
A circular canon "Tout par compas suy composés" ("With a compass was I composed")—more eye music, in which the manuscript is written in a circle.

His mass movement in the Apt MS is in the later, simpler fifteenth-century style.


Ars subtilior:
Ars subtilior (Latin for 'subtler art') is a musical style characterized by rhythmic and notational complexity, centered on Paris, Avignon in southern France, and also in northern Spain at the end of the fourteenth century. The style also is found in the French Cypriot repertory. Often the term is used in contrast with ars nova, which applies to the musical style of the preceding period from about 1310 to about 1370; though some scholars prefer to consider the ars subtilior a subcategory of the earlier style. Primary sources for the ars subtilior are the Chantilly Codex, the Modena Codex (Mod A M 5.24), and the Turin Manuscript (Torino J.II.9).

Eye music:
Two examples of eye music from the early Renaissance are from Baude Cordier, (ca. 1380-ca.1440). Cordier's chanson about love Belle, bonne, sage is in a heart shape, with red notes (coloration) indicating rhythmic alterations. Eye-music-within-eye music is in the small group of notes hanging like a locket in the upper left, also all in red and in the shape of a heart. Another work of Cordier, this time inscribed in circles, Tout par compas suy composés ("With a compass was I composed"), goes out of its way to identify itself as eye music.

Manuscrit:
https://www.academia.edu/35696265/Baude ... 564_fol_12_
Text (Old French):

Tout par compas suy composés,
en ceste rode proprement
pour moy chanter plus seurement.
Regarde com suy disposés
compaing, je te pri chierement.
Tout par compas suy composés,
en ceste rode proprement.
Trois temps entiers par toy posés;
chacer me pues joyeusement,
s'en chantant as vray sentiment.
Tout par compas suy composés,
en ceste rode proprement
pour moy chanter plus seurement.


All with a compass am I composed,
properly, as befits a round
to sing me more surely.
Look how I am disposed,
companion, I pray you kindly.
All with a compass am I composed,
properly, as befits a round.
Three times my circumference enclosed;
you can chase me with joy,
if in singing you are true to me.
All with a compass am I composed,
properly, as befits a round
to sing me more surely.

Thanks to Jordan Alexander Key on Youtube.

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Re: France - One song per day.

Post by Romain » Mon Jan 06, 2020 8:50 pm

Next song.

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Re: France - One song per day.

Post by Romain » Mon Jan 06, 2020 9:01 pm

Ultra Vomit - Evier Métal - 2017
Musical Parody, Heavy Metal

Album: Panzer Surprise (RYM: 3.08/5)

Wikipédia (DeepL translate)
Ultra Vomit is a French parodic heavy metal band from Nantes, Loire-Atlantique. The band was initially influenced by grindcore. Its songs generally contain humorous lyrics with a deliberately absurd side, influenced by the world of cartoons, advertising and popular culture in general. Part of their repertoire consists of covers of the Top 50.

Ultra Vomit started out as a grindcore band whose humorous touch was in the lyrics of children's songs like Bouba or Une Souris Verte, out of step with the violence of the music, and in gore themes taken with lightness. Ultra Vomit asserts itself as a parodic metal band with covers such as Pour un flirt by Michel Delpech in a hardcore punk version (renamed Pour un mosh) or You Can Leave Your Hat On by Randy Newman in a death metal version typified by Morbid Angel (Morbid Cocker).

The recipe of the light and harmless subjects is taken up and perfected, especially when mixed with the "evil" sound of black metal. Moreover, most of their songs use samples typical of certain artists, which makes the parodic side of their style all the more important. This leads them to explore many sub-genres of metal, and even other completely different genres of popular music. The grindcore roots are still present in many areas (especially the length of the songs), but are becoming more discreet with a lighter and more accessible overall sound. The richness of the band's musical style can be seen in the Outro of the album Objectif: Thunes where the same lyrics are repeated using a multitude of Metal declinations.

The band also works a lot on parody. This can be heard very well in the album Panzer Surprise! The various songs clearly evoke very famous bands of metal music. For example, Kammthaar evokes Rammstein, both in the music and in the name. Indeed, the grapheme "amm", similar sounds and the same number of syllables are found in the name. Among the other referenced bands, we can still recognize Gojira and Calogero in the song Calojira, Tagada Jones in the song A Giant Dog, AC/DC in Jesus, Motörhead in When I was a kid, Iron Maiden in Metal Sink or Maximum the Hormone and Babymetal with the title Takoyaki.


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Re: France - One song per day.

Post by Romain » Thu Jan 09, 2020 3:18 pm

Next song.

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Re: France - One song per day.

Post by Romain » Thu Jan 09, 2020 3:31 pm

Lunatic - Pas l'temps pour les regrets - 2000
French Hip Hop, Boom Bap, Hardcore Hip Hop

Album: Mauvais œil (RYM: 3.71/5)

Wikipédia:
Lunatic was a French hip hop duo from Boulogne-Billancourt. The lineup consisted of Booba (Boulogne-Billancourt) and Ali (Issy-les-Moulineaux), coming from the department of Hauts-de-Seine in the west suburb of Paris.

After Lunatic split up in 2003, both members went on to solo careers. Their release "Le Crime Paie" was produced by DJ Mars.
[Intro : Ali]
Lunatic, Booba Ali, 92i
À la vie Inch’Allah, Général

[Couplet 1 : Ali]
Pas le temps pour les regrets
Les erreurs n’appartiennent qu’à nous-mêmes, né pour amener ma part de progrès
Pour qu’à mon tour je procrée
De ceux pour qui le jour porte conseil, quand c’est la nuit qu’on agit, traîne
Ma chair et mon ossature vers n’importe quelle latitude sous n’importe quel degré
Le monde est vaste
Pour certains trop petit, séparé en deux castes
Ceux qui répandent l’amour et ceux qui dépendent de la haine
On y grandit en perdant l’innocence que chacun de nous possède à sa naissance
Combats nos faiblesses, fortifie mon mental
Sanctifie mon âme, mon essence
Adam structure mon ADN
Né non pas pour vivre seul, cause au nom de l’universel
Puise mes instruments dans la flore pour ma faune
Dans la rue pour mes gens aux instincts de fauves
À nous les fautes
Quand les pulsions l’emportent sur la réflexion
Te privent de contrôle, primitive réaction, préviens les autres
Que veux-tu que je dise quand s’enfoncent
Les têtes de mon 92 enfance
Trop se plaisent à tiser et vomir
Spliffs avant de dormir et dès le matin remise
Les erreurs n’appartiennent qu’à nous-mêmes
Pas le temps pour les regrets

[Refrain : Booba & Ali]
Pas le temps pour les regrets
Les erreurs n'appartiennent qu'à nous-mêmes, né pour amener ma part de progrès
Pas le temps pour les regrets
Les erreurs n'appartiennent qu'à nous-mêmes, né pour amener ma part de progrès
Pas le temps pour les regrets
Les erreurs n'appartiennent qu'à nous-mêmes, né pour amener ma part de progrès
Pas le temps pour les regrets
Les erreurs n'appartiennent qu'à nous-mêmes, né pour amener ma part de progrès

[Couplet 2 : Booba]
On dit que la vie des jeunes de la rue est triste, mais qui tu blâmes?
J’ai pas besoin de tes larmes, où est le drame?
Depuis le CP, les billes, je sais que c’est niqué
Donc je fais mon billet, si je dois te briser pour briller
Hors de portée, mort de rire sans remords
Quand j’écoute les menaces de mort des forces de l’ordre
T’écoutes du R.A.P
Des mecs qu’en ont rien à péter, à tout niquer je viens m’apprêter
Mettez les femmes et les enfants à l’abri
Y’a nos reufs prêts à agir avec magie qu’attendent à la grille

[Couplet 3 : Ali]
Mauvais regards puis coups durs, hématomes et points de suture
Brolic à la ceinture et plus lourd dans le coffre de la tire
Les cerveaux saturent par manque d’amour et d’air pur
Tout comme nos chiens, on a besoin de verdure
Mais on est des hommes donc on endure
Résidents des zones 92 Hauts-de-Seine géographie
Quand s’ouvrent les portes de l’enfer, que la nuit suffit pour couverture
Se défient le vice et la vertu
Les erreurs pèsent sur les cœurs
Seul le repentir sincère pour les mettre à l’écart
Né pour amener ma part de progrès
Pas le temps pour les regrets

[Refrain : Booba & Ali]
Pas le temps pour les regrets
Les erreurs n'appartiennent qu'à nous-mêmes, né pour amener ma part de progrès
Pas le temps pour les regrets
Les erreurs n'appartiennent qu'à nous-mêmes, né pour amener ma part de progrès
Pas le temps pour les regrets
Les erreurs n'appartiennent qu'à nous-mêmes, né pour amener ma part de progrès

[Couplet 4 : Booba]
Je vis de haine et d’eau fraîche, d’illicite et de péché
Mon seul taf’ je rappe sur SP-12, MPC
Je vois pas mes frères agir à jeun sans le biz
Incapables de survivre ils se lèvent le matin mais juste pour pisser
Des soirées sans chèques et sans ke-shné
C’est tellement naze que pour kiffer je dois me défoncer au whisky
Du son pour lé-rou, un putain de flow de banlieue pour les khos
Beurs, négros, peace et les terroristes
Eclate allocations, insertion
Sous pression comme nos consommations
Dès qu’on sort bédave comme si c’est permis
La vie c’est des griffes avec du vernis, string, 90C
Suicide à la hiya, trop faya pour aller prier
J’ai peur de crier quand je vais griller
92 hardcore, depuis le jardin d’Eden
J’avale une bouteille, et j'm’endors avec du Wu-Tang

[Refrain : Booba & Ali]
Pas le temps pour les regrets
Les erreurs n'appartiennent qu'à nous-mêmes, né pour amener ma part de progrès
Pas le temps pour les regrets
Les erreurs n'appartiennent qu'à nous-mêmes, né pour amener ma part de progrès
Pas le temps pour les regrets
Les erreurs n'appartiennent qu'à nous-mêmes, né pour amener ma part de progrès
Pas le temps pour les regrets
Les erreurs n'appartiennent qu'à nous-mêmes, né pour amener ma part de progrès

[Outro : Ali]
Pour qu'à mon tour je procrée
Lunatic...
Genius.com

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Re: France - One song per day.

Post by Romain » Sat Jan 11, 2020 4:06 pm

Next song.

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Re: France - One song per day.

Post by Romain » Sat Jan 11, 2020 4:17 pm

Linda Lemay - Le plus fort, c'est mon père - 1999
Canadian, chanson

Album: Live

Artist Biography by John D. Buchanan (Allmusic)
French-Canadian singer/songwriter Lynda Lemay has been a star in her native Quebec since the early '90s, and also has a large following in Europe, where her playful, poignant writing style is appreciated for its compassionate, literate, and often humorous approach to both the large and small requirements of contemporary life. With a novelist's eye for detail and an endearing ability to make light of her own phobias, Lemay writes melodic songs (almost always sung in French) that are fast becoming national treasures in Canada, and her popularity in France stems from her clear understanding of the French chanson tradition.

Lemay was born on July 25, 1966, and grew up in Portneuf near the St. Lawrence River outside Quebec City. She showed an early affinity for writing and poetry, and penned her first song by the age of nine. She learned to play the guitar in her teens and won the top spot in the Quebec en Chansons Song Competition by the time she was 18. Lemay concentrated on other literary pursuits (including a novel) after graduating from high school, eventually returning to music in the late '80s, soon becoming a regular on Quebec's "bars à chansons" circuit. She began to draw label interest after she won the Best Singer/Songwriter award in 1989's Granby Song Contest with her song "La Veilleuse." She released her first album, Nos Reves, in 1991. Her second release, Y, featuring music arrangements by Marc Perusse, followed in 1994, and was a huge success, eventually going double platinum.

Lemay married the Franco-Canadian comedian Patrick Huard in 1995. She toured Europe in 1996 and released an EP of mostly live tracks, La Visite, that same year. The release of her third album, Lynda Lemay, came in 1998, followed by a full-length live set in 1999. Du Coq à l'Ame appeared in 2000 and a second live set, Les Lettres Rouges, came out in 2002. A seventh album, Les Secrets des Oiseaux, appeared in 2003. Always a versatile writer, Lemay has also composed a folk opera, Un Eternel Hiver, which was staged in France in 2005. Un Paradis Quelque Part, her eighth album, was released that same year.

2006 saw the release both of a new studio record, Ma Signature, and the CD of Un Eternel Hiver. The next year she played a series of sold-out shows at Paris's famous Olympia venue, which were recorded and issued on the live disc 40/40. The studio albums Allo C'est Moi in 2008 and Blessée in 2010 were followed by her first Best Of compilation in 2011.
Comment t'as fait maman,
Pour savoir que papa
Beau temps et mauvais temps
Il ne partirait pas
Est-ce que t'en étais sûre
Ou si tu savais pas
Est-ce que les déchirures ça se prévoit.

Comment t'as fait maman
Pour trouver le bon gars
Tu l'as connu comment,
Tu l'as aimé pourquoi
Est-ce qu'il y en avait juste un
Dans tout le présent siècle
Et y s'trouve que c'est toi qui dort avec

Comment t'as pu trouver,
Un homme qui n'a pas peur
Qui promet sans trembler
Qui aime de tout son cœur
J'le disais y a longtemps
Mais pas d'la même manière
T'as d´la chance maman
Le plus fort c'est mon père

Comment ça s'fait maman
Que dans ma vie à moi
Avec autant d'amants
Avec autant de choix
Je n'ai pas encore trouvé
Un homme comme lui,
Capable d'être ami, père et mari

Comment t'as fait maman
Pour lui ouvrir ton cœur
Sans qu'il parte en courant
Avec c'que t'as de meilleur
Est-ce qu'il y a des mots magiques
Que t'as dits sans t'rendre compte
Explique-moi donc c'qu'y faudrait que j'raconte.

Comment t'as pu trouver,
Un homme qui n'a pas peur
Qui promet sans trembler
Qui aime de tout son cœur
J'le disais y a longtemps
Mais pas d'la même manière
T'as d'la chance maman
Le plus fort c'est mon père

Quand j'ai l'air d'les aimer
Les hommes changent de regard
Si j'ose m'attacher
Y s'mettent à m'en vouloir
Si je parle d´avenir
Y sont déjà loin derrière
J'avais raison d'le dire,
Le plus fort c'est mon père.

Vas-tu m'dire maman
Comment t'as pu savoir
Dès le commencement,
Qu'c'était pas un trouillard
Qu'il allait pas s'enfuir
Et qu'il allait tout faire
Pour que je puisse dire
Le plus fort c'est mon père

Quel effet ça t'as fait
Quand tu l'as rencontré
Est-ce que ça paraissait
Qu'il allait tant t'aimer
Les hommes bien souvent
Paraissent extraordinaires
Mais dis-toi bien maman
Qu´le plus fort...c´est mon père.

How did you manage, mum,
To know that dad
Rain or shine
He wouldn't leave you
Were you sure
Or didn't you know
Were the tears anticipated?

How did you manage, mum,
To find the right guy
How did you know him,
Why did you love him,
Was there just one
In this whole century
And you're the one sleeping with him

How could you find
A man that wasn't scared
That promises without trembling
That loves with all his heart
I said it a long time ago
But not in the same way
You're lucky mum
The strongest one is my father.

How come Mum
That in my own life
With so many lovers
With so many choices
I haven't found
A man like him yet,
Capable of being a friend, father and husband

How did you manage, mum
To open your heart to him
Without him running away
With the best part of you
Are there magic words
That you said without realising
Explain to me what I have to tell them

How could you find
A man that wasn't scared
That promises without trembling
That loves with all his heart
I said it a long time ago
But not in the same way
You're lucky mum
The strongest one is my father.

When I seem like I love them
The men change their look
If I dare to attach myself
They start holding it against me
If I talk about the future
They're already long gone
I was right to say it,
The strongest one is my father.

Are you going to tell me mum
How you could know
From the beginning
That he wasn't a coward
That he wasn't going to run away
And that he would do everything
So I can say
The strongest one is my father.

What effect did it have on you
When you met him
Did it seem like
He was going to love you so much
Men often
Seem extraordinary
But tell yourself mum,
That the strongest one... is my father.

Thanks to bonney12 àn LyricsTranslate.

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Re: France - One song per day.

Post by Romain » Mon Jan 13, 2020 12:24 pm

Next song.

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Re: France - One song per day.

Post by Romain » Mon Jan 13, 2020 12:29 pm

Nemo - La dernière vague - 2003
Progressive rock

Album: Présages (RYM: 3.79/5)

Wikipédia:
Nemo is a French progressive rock band based in Le Puy-en-Velay Haute-Loire.

The band was founded by guitarist, singer and songwriter Jean-Pierre Louveton, and was initially influenced by Genesis and Ange.

Formed in 2000 in Le Puy-en-Velay, Haute-Loire, France


progarchives:
This French band was rooted in '99 when Pascal Bertrand (drums and percussion), Jean-Pierre LOUVETON (guitar and vocals) and Guillaume Fontaine (keyboards) decided to make progressive rock music. In 2000 bass player Hervé Esquis joined NEMO but he was soon replaced by Benoit Gaignon. Early 2002 the band started to perform, their first concert was attended by at about 100 spectators. In July 2002 NEMO released their first album entitled "Les Nouveax Mondes", a few months later NEMO hosted again a new bass player named JB Itier. In this line-up NEMO released their second album entitled "Présages", they promoted this CD on the Crescendo Festival in the same year, along with ANGLAGARD, CAST and FOCUS. What a thrill it must have been to watch these progrock bands!

The second album "Présages is a stunning CD, in my opinion as innovative as RUSH and their guitarists has the same varied and inventive play as Alex Lifeson! The five dynamic and alternating compostions contain lots of great breaks and many changes of rhythm and atmosphere. Most of the music is based upon an adventurous, jazzy sounding rhythm-section, a harder-edged guitar and varied keyboards. The interplay between guitar and keyboards is amazing: bombastic with howling guitar and orchestral keyboards, swinging with acoustic guitar and jazzy piano (Chick Corea meets John McLaughlin) or symphonic with heavy guitar-riffs and flashing, very spectacular synthesizer solos. The French vocals sound convincing, this man has a wide range but his role is a bit limited, many parts of this CD are instrumental with lots of biting electric guitar solos and sparkling piano play. Recommended to jazzrock oriented progrock fans!
Déjà longtemps que les nuages
Cachent mon horizon
Abreuvant tous les paysages
Des pluies de mousson

Si je ne savais que l'histoire
N'est que répétition
Je me réfugierai dans l'espoir
De la belle saison

Mais l'eau est à mes pieds
Inondant les pavés
Déjà longtemps que je sais que

Dieu n'est pas là
Où on le croit
Si on y croit

Il est partout
Autour de moi
Et il se noie

Comment peut-on rêver d'Eden
dans un au-delà
en maculant de boue obscène
le paradis qu'on a ?

Comment vouloir d'une autre vie
Quand tout est sali
Moi le dieu que j'ai choisi
Vit tout près d'ici

Mais l'eau est à ses pieds
Dévoilant son reflet
S'abreuvant des larmes tombées

Dieu n'est pas là
Où on le croit
Si on y croit

Il est partout
Autour de moi
Et il se noie

[instrumental]

J'entends déjà les naufragés
Murmurant leurs supplices
Nul ne pourra nous sauver
Du ventre des abysses

Nous sommes lavés de nos pêchés
De la pire des façons
D'un coup d'éponge, effacés
Pour de noires raisons

L'eau est arrivée
Comme par le passé

Mais faut-il un autre Noé ?

Already a long time that the clouds
Hide my horizon
Watering all the landscapes
The monsoon it rains

If I did not know that history
Is not than only repetition
I will take refuge in the hope
In the beautiful season

But the water is at my feet
Flooding the cobblestones
I have known for a long time how

God is not there
Where we think him
If we believe it

He is everywhere
Around me
And he drowns itself

How can we dream of Eden
in an other side
smearing the obscene mud
the paradise we are?

How to want another life
When everything is dirty
Me the god i chose
Lives near here

But the water is at his feet
Unveiling its reflection
Watering himself with the fallen tears

God is not there
Where we think him
If we believe it

He is everywhere
Around me
And he drowns itself

[instrumental]

I can already hear the shipwrecked
Whispering their torments
No one can save us
From the bottom of the abyss

We are washed from our sins
In the worst way
With a sponge, erased
For the black reasons

Water has arrived
Like in the past

But do we need an another Noah?

Thanks to Ferenc Mester on LyricsTranslate.

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Re: France - One song per day.

Post by Romain » Fri Jan 17, 2020 10:11 am

Next song.

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Re: France - One song per day.

Post by Romain » Fri Jan 17, 2020 10:22 am

Balladur - Kuda Lumping - 2019
Coldwave, post-punk, rock

Album: La Vallée Étroite

Section-26 (DeepL translate)
For half a dozen years now, Balladur has been delighting concert halls and other squats with a unique live show, placed in the middle of the audience, with a rather light set-up consisting of machines, guitar and microphones. In a sense, Balladur is an experience that goes beyond the classical concert setting where the audience is passive. The ensemble evokes as much, if not more, traditional festivals as the music of processions in Thai villages (Phin Prayuk). The music of the Villeurbanne duo reflects, in many ways, the search for communion and sharing at the heart of the group's approach.
Although the ensemble is dedicated to dance, it retains an eminent political dimension. This is true right up to the title of this new album, La Vallée Étroite, a direct reference to migrants trying to cross the Italian border through the mountains. In three long games, the band has refined a unique sound, a syncretism of influences as diverse as dub, music from all over the world (in its folk or popular form), dance music with a punk ethic and DIY, if the term still means anything. In a way, it's hard to imagine the French band anywhere else than Le Turc Mécanique (Bracco, Tôle Froide, Jardin). Indeed, the band and the label share a taste for the side-roads, those that piss off purists and delight the curious.
La Vallée Étroite is perhaps the duo's best album to date. It summons the listener to an ecumenical celebration where everyone can participate and let their imagination run wild. Right from the start, the hypnotic Kuda Lumping (a traditional Indonesian ceremony), Romain De Ferron announces: "It's party time, everyone's getting restless" in a maelstrom of post-punk guitars signed by the other thief, Amédée De Murcia.
The ensemble seems to have one foot somewhere in Asia, on the Indonesian side, and the other in Cologne in the Neu! rehearsal room, a toe wandering around the dancefloor. The cover of the Dangdut musician Caca Handika's classic Angka Satu gives Balladur the opportunity to explore a more pop facet of their music. The duo appropriates the original song while respecting its deepest essence, creating a deviant little hit.
At the same time, the group pays tribute to Joy Division through Les Poches Vides, a long ecstatic crescendo, a tunnel of light tearing through the mist. Islero's swaying groove evokes an unlikely encounter between Jamaican digital reggae and Marie and the Boys' növö punk in this very special diction. La Vallée Interdite, the title track, follows him and is one of the highlights of the album.
The poignant lyrics are sublimated by a delicate composition of synthesizers and layers of interlaced voice samples. Fortunately, Balladur is thinking of us. The landing is soft with Sonde Lambda and then Dans La 205, a cottony shoegaze odyssey whose melody strangely reminds us of Téléshopping. In a little over half an hour, Balladur signs one of the most endearing and original albums of the year. Free in its form, in its purpose, open to the world, La Vallée Étroite is a political and cultural celebration of brotherhood.


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Re: France - One song per day.

Post by Romain » Mon Jan 20, 2020 1:01 pm

Next song.

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Re: France - One song per day.

Post by Romain » Mon Jan 20, 2020 1:17 pm

uKanDanz - Tchuhetén Betsèmu - 2016 - Jazz
Ethio-Jazz, Jazz-Rock, Math Rock

Album: Awo (RYM: 3.34/5)

The French quintet UKANDANZ, a self-described "Ethiopian Crunch Music" ensemble, is a multi-national group playing high-energy ethnic jazz/noise rock with melodies inspired by Ethiopian folk and pop music. They are fronted by the considerable vocal prowess of Asnake GUEBREYES, and sport a very lively ensemble sound, often danceable, sometimes dissonant, always rhythmic. Lionel MARTIN provides a very visible tenor sax presence, tying in a jazz element, and Damien CLUZEL contributes guitar (as baritone guitar) with strong evidence of Rock-In-Opposition-like stylings. Fred ESCOUFFIER handles keyboard duties, and Guilhem MEIER keeps the drums busy yet funky.

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Re: France - One song per day.

Post by Romain » Wed Jan 22, 2020 8:37 pm

Next song.

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Re: France - One song per day.

Post by Romain » Wed Jan 22, 2020 8:48 pm

Position Parallèle - Tes lèvres - 2008
Synthpop, Minimal Synth, Coldwave

Album: Position Parallèle (RYM: 3.39/5)


Bio ?

Du rouge, du noir un peu partout,
Du maquillage sur les contours.
Un peu de blanc pour travailler
Ta peau creusée par l'oreiller.

J'irai trouver sur les trottoirs
Un garçon prude, une fille d'un soir
Pour lancer sur un sol glacé
Nos bottes et nos manteaux cirés.

Assise au fond du couloir
Un peu d'amour sur un corps froid.
Les chaises de bois pourries un soir
Tes lèvres couleur svastika.

Entonne les chansons de l'ange
Regarde, ils sont tous au premier rang
Fredonne, chante, tes épaules tiennent
Ta chair pâle et tes yeux clairs.

Du rouge, du noir un peu partout,
Du maquillage sur les contours.
Un peu de blanc pour travailler
Ta peau creusée par l'oreiller.

Assise au fond du couloir
Un peu d'amour sur un corps froid
Les chaises de bois pourries un soir
Tes lèvres couleur svastika

Tes lèvres couleur svastika
Tes lèvres couleur svastika
...

Svastika
Svastika

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Re: France - One song per day.

Post by Romain » Sat Jan 25, 2020 8:34 am

Next song.

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Re: France - One song per day.

Post by Romain » Sat Jan 25, 2020 8:42 am

Jacques Pills et Georges Tabet - Couchés dans le foin - 1933
Chanson

In 1925, Georges Tabet conducted the Mac-Mahon Palace Orchestra, one of the capital's most chic dancings, which counted Jacques Pills and Jean Rigaux among its regular clients. One summer day, while he was playing in Sainte-Maxime, he received two telegrams, one from Ray Ventura inviting him to join his orchestra, the other from Jacques Pills offering to form a vocal duo with him to play at the Casino de Paris. Georges Tabet accepted Jacques Pills' offer.

At the Casino de Paris, the pair went on to create Couchés dans le hoin, a song by Mireille and Jean Nohain taken from their operetta Fouchtra. They also sing: Aux îles Hawaï, Un cabanon près de Toulon, C'est un vieux château du Moyen Âge and On n'a pas besoin de la lune.

They tour in London, New York and Hollywood.

The duo was forced to break up in 1939 when war was declared. Jacques Pills is taken prisoner of war.

Live version:
https://www.youtube.com/watch?v=Nk9vlXZqxXc

Couchés dans le foin
Avec le soleil pour témoin
Un p'tit oiseau qui chante au loin
On s'fait des aveux
Et des grands serments et des voeux
On a des brindill's plein les ch'veux

On s'embrasse et l'on se trémousse
Ah! que la vie est douce, douce
Couchés dans le foin
Avec le soleil pour témoin

Il ne faut pas que je vous cache
Que j'eus toujours la sainte horreur des vaches
Dans ma famille c'est un tort
Hélas, le métier de toréador
N'a jamais été notre fort

J'aimerais mieux qu'on m'injurie
Qu'on me pende ou qu'on m'expatrie
Plutôt que de toucher un pis,
Un pis de ma vie

Je suis ainsi tant pis
Et c'est dommage
La fille de la fermière est charmante
Et on a le même âge

Par bonheur pour les amoureux
Il est au grand air d'autres jeux
Des jeux que j'aime davantage
Des jeux que j'aime davantage

Couchés dans le foin
Avec le soleil pour témoin
Un p'tit oiseau qui chante au loin
On s'fait des aveux
Et des grands serments et des vœux
On a des brindilles plein les ch'veux

On s'embrasse et l'on se trémousse
Ah! que la vie est douce, douce
Ah! que la vie est douce, douce
Couchés dans le foin
Avec le soleil pour témoin

Vous connaissez des femmes du monde
Qui jusqu'à quatre-vingts ans restent blondes
Qui sont folles de leur corps
Pour leurs amours il leur faut des décors
Des tapis, des coussins en or
De la lumière tamisée
Et des tentures irisées
Estompant sous leurs baisers
Des appas trop usés

Eh bien tant pis
Mais c'est dommage
Quand on est vigoureux
Quand on aime et qu'on a mon âge
Tous ces décors sont superflus
Les canapés je n'en veux plus
Je ne fais plus l'amour en cage
Gardez, gardez vos éclairages

Couchés dans le foin
Avec le soleil pour témoin
Un p'tit oiseau qui chante au loin
On se fait des aveux
Et des grands serments et des voeux
On a des brindilles plein les cheveux
On s'embrasse et l'on se trémousse
Ah, que la vie est douce, douce
Couchés dans le foin avec le soleil pour témoin

Lying in the hay
with the sun for witness
a little bird which sings far away
we make some confessions
and important vows and wishes
our hair is full of twigs.

We kiss and we wiggle around
Oh but life is sweet, sweet
lying in the hay
with the sun for witness

I mustn't hide from you
that I've always had a real horror of cows,
in my family it's wrong
Alas, the buullfigher occupation
has never been our strong point.

I would rather be insulted
than hung or exiled,
rather than touching an udder,
something worse in my life.

Thus I am unlucky,
and it's a pity
The farmer's daughter is charming
and we are the same age

By good luck for the lovers
there are other games in the open air
games that I like better
games that I like better

Lying in the hay
with the sun for witness
a little bird which sings far away
we make some confessions
and important vows and wishes
our hair is full of twigs.

We kiss and we wiggle around
Oh but life is sweet, sweet
lying in the hay
with the sun for witness

Lyrics by michealt on LyricsTranslate.

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Re: France - One song per day.

Post by Romain » Sun Jan 26, 2020 5:51 pm

Next song.

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Re: France - One song per day.

Post by Romain » Sun Jan 26, 2020 6:02 pm

Juan Rozoff - Et alors ? - 1990
Funk

Wikipédia:
Juan Rozoff, born January 9, 1966 in Paris, is a French funk singer-songwriter.

Born in Paris in 19662, Juan Rozoff is the son of a Russian engineer-adventurer and a Spanish actress and poetess, Tachia Quintanar.

The media very quickly nicknamed him the "French Prince", which he easily accepted, adding maliciously "I'd rather be the French Prince than the Spanish Guy Béart".

He was the pioneer in the 1990s of the "new Parisian groove scene", paving the way for FFF, Sinclair, Vercoquin, Malka Family. He is still considered, in particular by Funk-U Mag magazine, as one of the main funk artists in France.

Multi-instrumentalist and outstanding showman, his concerts in France and abroad have for more than twenty years been winning over the enthusiasm of the public.

His talent also arouses the admiration of his peers. Juan Rozoff has thus seen internationally renowned artists such as Bootsy Collins, Maceo Parker and Fred Wesley offer him their collaboration. He has also opened for giants such as James Brown, Larry Graham, George Clinton, Temptations, Maceo Parker.

Juan Rozoff has also participated in the albums of Disiz la Peste, Amadou et Mariam, David Guetta, Charles Schillings.

He also took part in the soundtracks of films by Philippe Harel (Extension du domaine de la lutte from Michel Houellebecq's eponymous novel), and Eric Toledano and Olivier Nakache (Tellement proches). Juan Rozoff has also composed and performed titles for the shows of Jamel Debbouze and Julie Ferrier.

Matthieu Chedid (M) played several guitar parts on Juan Rozoff's latest album (Maison Rozoff) and Sandra Nkaké did the backing vocals on (Maison Rozoff) and (Abalorladakor).


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Re: France - One song per day.

Post by Romain » Fri Jan 31, 2020 9:20 am

Next song.

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Re: France - One song per day.

Post by Romain » Fri Jan 31, 2020 9:26 am

Kyo - Dernière danse - 2003
Pop-rock

Album: Le chemin (RYM: 1.58/5)

Wikipédia:
Kyo is a French rock band with lead by Benoît Poher. The band was active from 1997 to 2005 with three albums Kyo (2000), Le Chemin (2003) and 300 Lésions (2004) and a string of singles. It announced a hiatus in 2005 without a definite break-up. In 2006, Kyo was involved in launching "L'Or de nos vies" written by Kyo and its lead singer Benoît Poher for the Fighting AIDS charity in 2006. Kyo had a comeback in 2013 with the album L'équilibre.

Since attending collège Notre-Dame in Yvelines, the two brothers, Fabien and Florian Dubos, and two friends Nicolas Chassagne and Benoît Poher, discovered they had the same passion for bands such as Nirvana, Pearl Jam, Rage Against the Machine and Soundgarden.

At that time the band was named Spiritus Sanctus and they recorded their first demo on DAT with Dominique Gire.

In 1997, they met their future manager Yves Michel Akle, who convinced of their potential, introduced them to Sony BMG where they performed and were offered a contract. Their big break came when they performed during a big concert of David Hallyday, son of famous French rocker Johnny Hallyday, also appearing in the music video of one of David Hallyday's music videos as a backing band.

They have since released three albums and one DVD entitled Kyosphere. After limited success of self-titled debut album Kyo that sold around 40,000 copies, their sophomore album Le Chemin sold in comparison 1.5 million copies, and peaked at number 2 on the French Albums Chart. They retreated to a house in Brittany, where they worked on their new album 300 Lésions. That album went gold in four days with sales reaching upwards of 500,000 copies, and peaked at number 1 on the French Albums Chart.

In 2005, the band announced a hiatus, but without a definite break-up.

In June 2013, it was revealed that Kyo was planning a comeback and were in the process of recording material at Gang Studio with producer Mark Plati. The singles "Le Graal" and "L'équilibre", from the upcoming album, were pre-released at the end of January 2014.

Album:
Le Chemin is a 2003 album recorded by French pop-rock act Kyo. It was released on January 13, 2003, and achieved huge success in France and Belgium (Wallonia), where it was respectively #2 and #1. This album, entirely composed by the band, remains to date its most successful one. There is also an edition including a DVD.

It stayed on the charts for 65 weeks in Belgium, 98 weeks in France and 79 weeks in Switzerland. It provided four top 20 singles in France and Belgium : "Le Chemin" (#12 in France, #4 in Belgium, #14 in Switzerland), "Dernière danse" (#6 in France, #4 in Belgium, #14 in Switzerland), "Je cours" (#20 in France, #8 in Belgium, #41 in Switzerland) and "Je saigne encore" (#13 in France, #12 in Belgium, #39 in Switzerland).

The album was awarded 'Francophone album of the year' at the 2004 NRJ Music Awards.
J'ai longtemps parcouru son corps,
effleuré cent fois son visage.
J'ai trouvé de l'or
et même quelques étoiles en essuyant ses larmes.
Et j'ai appris par cœur la pureté de ses formes,
parfois je les dessine encore.
Elle fait partie de moi.

Refrain :
Je veux juste une dernière danse,
avant l'ombre et l'indifférence.
Un vertige puis le silence.
Je veux juste une dernière danse.

Je l'ai connue trop tôt mais c'est pas de ma faute,
la flèche a traversé ma peau.
C'est une douleur qui se garde,
qui fait plus de bien que de mal.
Mais je connais l'histoire, il est déjà trop tard,
dans son regard, on peut apercevoir qu'elle se prépare
au long voyage.

Refrain

Je peux mourir demain, ça ne change rien,
j'ai reçu de ses mains
le bonheur ancré dans mon âme,
c'est même trop pour un seul homme.
Et je l'ai vue partir sans rien dire,
il fallait seulement qu'elle respire.
Merci d'avoir enchanté ma vie.

Refrain

I've travelled her body for a long time
Touched upon her face a hundred times
I've found gold
And even some stars wipe away her tears
I've learned the purity of her shapes by heart
Sometimes, I still draw them
It forms a part of me

I want just one last dance
Before the shadow and indifference
Dizziness then silence
I want just one last dance

I knew about it too soon, but it's not my fault
The arrow pierced my skin
It's pain which is kept
Which makes it all the more worse
But I know the story, it's already too late
In her look, you can see that she's preparing
For a long journey

I want just one last dance
Before the shadow and indifference
Dizziness then silence
I want just one last dance

I could die tomorrow, and it wouldn't change a thing
I've taken her hands
The happiness is anchored in my heart
And I saw her leaving without saying anything
It's only neccessary that she breathes
Thank you for having enchanted my life

Before the shadow and indifference
Dizziness then silence
I want just one last dance

Thanks to Chi on LyricsTranslate.

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Re: France - One song per day.

Post by Romain » Mon Feb 03, 2020 9:05 pm

Net song.

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Re: France - One song per day.

Post by Romain » Mon Feb 03, 2020 9:13 pm

Bob Azzam - Ya Mustapha - 1960
Egyptian

Wikipédia:
Wadie George Azzam, better known by his stage name Bob Azzam, (24 October 1925 in Cairo – 24 July 2004 in Monaco) was an Egyptian singer of Lebanese ancestry. With his international hit song "Mustapha", Azzam achieved success in France in the 1960s.

Azzam began his career in Italy in the late 1950s, with his band, singing in Italian and in English. In 1960, he released two songs in France that were influenced by oriental music, "Ya Mustafa" ("Chérie je t'aime, chérie je t'adore, como la salsa de pomodoro") and "Fais-moi du couscous, chérie". The same year, he received the Grand Prix du Disque for the song "Viens à Juan les Pins".

After this era, his success began to decline. However, Azzam continued his career by touring with his orchestra, and opened his own night club in Geneva.

Jonathan Richman, Rachid Taha and, most recently, La Bande à Basile have all performed covers of the songs "Mustafa" and "Fais-moi du couscous, chérie".

Song:
"Ya Mustafa" also spelled "Ya Mustapha" (in Arabic يا مصطفى), is a well-known multilingual song of Middle-Eastern origin, composed by famous Egyptian Musician Mohammed Fawzi (1918–1966) which has been recorded in many different languages. Several different versions, including parodies, have been recorded. The song first became popular in Europe with the help of the Egyptian singer Bob Azzam, who released it in 1960 in France

Live:
https://www.youtube.com/watch?v=zNbrEPWnYCg

Chéri je t'aime chéri je t'adore,
come la salsa di pomodoro. (Comme la sauce tomate)
(bis)
Ya Mustafa, ya Mustafa (Oh, Mustapha, Oh, Mustapha)
Ana bahebbak, ya Mustafa (Je t'aime Mustapha)
Sabaa senin fel Attarin, (Sept ans rue Attarine)
Delwa'aty geina Chez Maxim (Maintenant, nous dînons chez Maxim's)

-1-
Taala Ya Mustafa, ya ibn El Sarhan (Viens Mustapha, nous sommes fils d'El Sarhan)
Guib ta'mira agami we leff 'al giran (Apporte le pot de Narguilé et passe le à tes voisins.)
W amma yigi keifo keifo (Quand il se défonce)
Yeshrab ala keifo keifo (Il peut boire à volonté.)

-2-
Quand je t'ai vu sur le balcon
Tu m'as dit monte et ne fais pas d'façon.
(bis)
Chéri je t'aime chéri je t'adore,
come la salsa di pomodoro
(bis)

Ya Mustafa, ya Mustafa (Oh, Mustapaha, Oh, Mustapha)
Ana bahebbak, ya Mustafa (Je t'aime Mustapha)
Sabaa senin fel Attarin, (Sept ans rue Attarine)
Delwa’aty geina Chez Maxim (Maintenant, nous dînons chez Maxim's)

-3-
Tu m'allumais avec une allumette
Et tu m'as fait perdre la à tête
(bis)
Chéri je t'aime chéri je t'adore,
come la salsa di pomodoro (Comme la sauce tomate)
(bis)

Ya Mustafa, ya Mustafa
Ana bahebbak, ya Mustafa
Sabaa senin fel Attarin,
Delwa'aty geina Chez Maxim

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Re: France - One song per day.

Post by Romain » Tue Feb 04, 2020 8:34 pm

Next song.

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Re: France - One song per day.

Post by Romain » Tue Feb 04, 2020 8:43 pm

Alain Bashung - Tant de nuits - 2008
Chanson, Folk Rock

Album: Bleu pétrol( RYM: 3.66/5)

Wikipédia:
Alain Bashung (French: [alɛ̃ baʃuŋ]; born Alain Baschung 1 December 1947 – 14 March 2009) was a French singer, songwriter and actor. Credited with reviving the French chanson in “a time of French musical turmoil”, he is often regarded in his home country as the most important French rock musician after Serge Gainsbourg. He rose to prominence in the early 1980s with hit songs such as "Gaby oh Gaby" and "Vertige de l'amour", and later had a string of hit records from the 1990s onward, such as "Osez Joséphine", "Ma petite entreprise" and "La nuit je mens". He has had an influence on many later French artists, and is the most awarded artist in the Victoires de la Musique history with 12 victoires obtained throughout his career.

Bashung’s Play blessures (1982), Osez Joséphine (1991), and Fantaisie militaire (1998) have made multiple French lists of the greatest albums. L'Imprudence (2002) and Bleu pétrole (2008), the last two studio albums released during his lifetime, also garnered acclaim. Bashung died at 61 after a two-year fight with lung cancer.
https://en.wikipedia.org/wiki/Alain_Bashung

Album:
Bleu pétrole (Petrol blue) is the twelfth studio album by the French rocker Alain Bashung, released in March 2008 on Barclay Records. It is his last studio album released during his lifetime.

Great expectations surrounded Bleu pétrole after L'Imprudence, issued in 2002, and the live album La Tournée des grands espaces, issued in 2004. Bashung took time to work on it, before deciding finally to not work with his lyricist Jean Fauque, choosing instead to work with Gaëtan Roussel of Louise Attaque and Gérard Manset. After the more experimental works of the 2000s, Bashung decided to go back to a more traditional rock-sounding album, closer to his works of the 1990s.

The album is dedicated to Mick Larie, a member of Bluegrass Long Distance, who died in July 2007, the mandoline player and friend of Marcel Dadi and Patrick Sébastien. The first single from the album was "Résidents de la République" ("Residents of the Republic").

Bashung began touring to promote the album and sang "Comme un lego" ("Like a lego") by Gérard Manset as the opener of his concerts. On 7 July 2008, an expanded vinyl collector edition of 1,000 copies was issued.

Bleu pétrole was the last studio album by Alain Bashung, who died on 14 March 2009.

In 2010, the French edition of Rolling Stone magazine named this album the 46th greatest French rock album (out of 100).

The French magazine Les Inrockuptibles called the album an "immense chef-d'œuvre" (a huge masterpiece).


Mon ange je t'ai haï
je t'ai laissé aimer
d'autres que moi
un peu plus loin qu'ici

Mon ange je t'ai trahi
tant de nuits, alité
que mon cœur a cessé
de me donner la vie

Si loin de moi
si loin de moi
si loin de moi

Des armées insolites
et des ombres équivoques
des fils dont on se moque
et des femmes que l'on quitte

Des tristesses surannées
des malheurs qu'on oublie
des ongles un peu noircis
des ongles un peu noircis

Mon ange je t'ai puni
à tant me sacrifier
icône idolâtrée
immondice à la nuit

Mon ange je t'ai haï
je t'ai laissé tuer
nos jeunesses ébauchées
le reste de nos vies

Si loin de moi
si loin de moi
si loin de moi
si loin de moi

Des armées insolites
et des ombres équivoques
des fils dont on se moque,
et des femmes que l'on quitte

Des tristesses surannées
des malheurs qu'on oublie
des ongles un peu noircis
des ongles un peu noircis

Mon ange je t'ai haï
mon ange je t'ai haï.

My angel I have hated you
I have left you to love
Others than me
A bit further on from here

My angel I have betrayed you
So many nights, bedridden
My heart has ceased
To give me life

So far away from me
So far away from me
So far away from me

The strange armies
The ambiguous shadows
The sons that one mocks
And the women that one leaves

The outdated sadnesses
The misfortunes that one forgets
The fingernails a little dirty
The fingernails a little dirty

My angel I have punished you
So to sacrifice myself
Idolized icon
Filthy things in the night

My angel I have hated you
I have left you to kill
Our sketched-out youths
The rest of our lives

So far away from me
So far away from me
So far away from me
So far away from me

The strange armies
And the ambiguous shadows
The sons that one mocks
And the women that one leaves

The outdated sadnesses
The misfortunes that one forgets
The fingernails a little dirty
The fingernails a little dirty

My angel I have hated you
My angel I have hated you

Thanks to jeanroche on LyricsTranslate.

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Romain
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Re: France - One song per day.

Post by Romain » Thu Feb 06, 2020 8:30 pm

Next song.

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Romain
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Re: France - One song per day.

Post by Romain » Thu Feb 06, 2020 8:37 pm

Casino Music - Viol Af015 - 1978
Synthpop

Wikipédia (DeepL translate)
At the end of the 1970s, Gilles Riberolles and Eric Weber, high school friends, shared a house in Saint Mande near the Bois de Vincennes on the outskirts of Paris. The cellar was soon transformed into a rehearsal studio. Didier Esteban, the brother of Michel Esteban, the boss of the concept store "Harry Cover" in Les Halles and co-founder of the New York label ZE Records, and Philippe Chany, who would later compose the hit "C'est la Ouate" for Caroline Loeb, joined them in the first formula of a group that was to become Casino Music.

The group was then managed by Alain Wais, music critic for the newspaper Le Monde, who released a first single "Burger City/ Viol AF015" in 1978 on "Vid Ordur", the label of Alain Maneval, a Parisian radio host. Gilles Riberolles is also a journalist for the magazine "Best".

Michel Esteban convinced the band to sign on ZE Records, resulting in a recording in New York at the mythical Blank Tapes Studios, Chris Stein the leader of the band Blondie in production with whom Riberolles has become friends in the meantime.

Casino was then composed of Gilles Riberolles on guitar and vocals, Eric Weber on bass, Jean Michel Lemeur on drums and Anatole Mundi on keyboards. The four Frenchmen were joined by the New Yorkers Allen Wentz on synths, Chris Stein did some guitar solos, Tom Malone the Blues Brothers trombone/six arranged the brass, Ron Rogers on piano and percussion. The hearts will be provided by Aural Exciters member Christine Wilshire, Mary Seymour and Gina Tharps.

Cristina will come to do a cameo, while Gilles will return the favour on "La poupée qui fait non" produced by August Darnelll.

The album will be mixed at Compass Point Studios in Nassau, Bahamas by Island records boss Chris Blackwell, whom Esteban managed to convince. Steven Stanley, sound engineer of Lizzy Mercier Descloux's "Mambau Nassau" and future member of Tom Tom Club is behind the console.

For the cover Esteban brought in one of his acquaintances, Richard Brenstein, who is responsible for all the covers of Andy Warhol Interview magazine. The album was released in 1979 in French version "Amour Sauvage" and English version "Jungle Love".

In spite of a very good critical reception of the album distributed throughout Europe and Japan and of the Parisian concerts of the group with Blondie or the B52' at the Palace, sales were disappointing.

In 1981 Esteban will produce a last single with Casino Music " Go Go Word, Encore Hardcore " and an excellent cover of Sonny and Cher's hit " The Beat Goes On ".

In 2010 ZE Records will re-release in Japan distributed by P.Vines Records the album " Jungle Love " with all the French and English versions of the first album as well as all the versions of the last single and unreleased tracks recorded at Compass Point Studios.

In June 2011, thirty-two years later, "Frenchy but Chic" is back. Frédéric Sanchez sound designer of the fashion shows of the biggest brands of Prêt à Porter selects Casino Music in the summer play list of the famous French Vogue.

Tous ces gens de l'aéroport
N'arrivent même plus à m'amuser
Leurs pouvoirs caméléonesques
Ont détraqué ma machine à lire les pensées
Je rêve de mon espace lumineux
Mais pourquoi penser en français ?
Une fille traverse mon champ de vision
Elle a des hanches aux angles dorés
Elle m'invite, j'me bouscule
Ses yeux mitraillent, orange
Je la rattrape dans les toilettes
Puis cherche mes lunettes à rayons "S"
Elle me remarque, et je lis l'ennui
Je la viole !!!
Départ Mexico City
Parc'que chez moi amour et sexe
N'ont qu'un seul nom qui se dit
Comme ça
Et encore !!!
Et encore !!!
Aaaahoww
Il passe le temps, des fois, trop vite
Je sais, mais c'est la seule chose qui me fait bouger
Est-ce qu'on n'va pas finir chez toi ?
Je sais, mais je crois qu'elle a aimé
Rentre chez toi, tu f'rais mieux de rentrer
Je sais : le maître a besoin de moi


All these people from the airport
Do not even get to have fun anymore
Their chameleonic powers
Broke my machine to read thoughts
I dream of my bright space
But why think in French?
A girl crosses my field of vision
She has hips with golden angles
She invites me, I jostle
His eyes shoot, orange
I catch her in the toilet
Then look for my ray glasses "S"
She notices me, and I read the boredom
I rape her !!!
Departure Mexico City
'Cause at home love and sex
Have only one name that says
Like that
And even !!!
And even !!!
Aaaahoww
He spends time, sometimes, too quickly
I know, but it's the only thing that makes me move
Will not we end up at your house?
I know, but I think she liked
Go home, you better get in
I know: the master needs me

Thanks to BryanOblivion on Youtube

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Romain
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Re: France - One song per day.

Post by Romain » Tue Feb 11, 2020 1:07 pm

Next song.

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Romain
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Posts: 4309
Joined: Fri Feb 10, 2012 2:25 pm
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Re: France - One song per day.

Post by Romain » Tue Feb 11, 2020 1:10 pm

Arcane - L'incendie - 2017
Rock.

Arcane-groupe.fr (DeepL translate)
ARCANE is a rock band from Lyon whose compositions oscillate between "groove" and "rock" in a poetic universe carried by lyrics written in a totally assumed French.

ARCANE's music is not a "Frenchie" version of English or American bands but the result of the meeting of five musicians for whom the stage remains essential. It is in "live" that you must listen and see ARCANE in order to better discover the foundations of the group.

ARCANE is thus the symbiosis of five musicians whose very diverse influences give the band its own personality and singularity.


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Romain
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Re: France - One song per day.

Post by Romain » Thu Feb 13, 2020 10:58 am

Next song.

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Romain
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Re: France - One song per day.

Post by Romain » Thu Feb 13, 2020 11:07 am

Clara Luciani - La grenade - 2018
Pop, Synthpop, Neo-Psychedelia

Album: Sainte-Victoire (RYm: 3.32/5)

Wikipédia:
Clara Luciani (born July 10, 1992 in Martigues) is a French singer and songwriter.

Luiciani comes from a Corsican family. Her grandfather, whom she didn't know, was from Ajaccio. Clara Luciani grew up in Septèmes-les-Vallons, in the suburbs of Marseille. Before her career in music, she studied at the College of Art History and had various jobs including pizza chef, babysitter, saleswoman at Zara and an English teacher.

In 2011, she met the band La Femme, where she became, for a time, one of the female voices. She sang two songs on the album Psycho Tropical Berlin released in 2013. After leaving the band she formed the duo Hologram, with Maxime Sokolinski.

In 2015-2016, she accompanied the singer Raphaël on stage for his tour "Somnambules".

In 2017, she performed with Benjamin Biolay and released a first EP, Monstre d'amour., recorded with Benjamin Lebeau (The Shoes) and Ambroise Willaume (Revolver) to critical acclaim.

On 6 April 2018, Clara Luciani released her first album, Sainte-Victoire, which was well received by the press.

In January 2019 she toured Australia, performing at the So Frenchy So Chic festival series in Adelaide, Melbourne, Sydney and Brisbane.

Luciani claims Françoise Hardy, Serge Gainsbourg, Nico, Michel Legrand and Paul McCartney as influences
Hé toi
Qu'est-ce que tu regardes ?
T'as jamais vu une femme qui se bat
Suis-moi
Dans la ville blafarde
Et je te montrerai
Comme je mords, comme j'aboie
Prends garde, sous mon sein la grenade
Sous mon sein là regarde
Sous mon sein la grenade
Prends garde, sous mon sein la grenade
Sous mon sein là regarde
Sous mon sein la grenade

Hé toi
Mais qu'est-ce que tu crois ?
Je ne suis qu'un animal
Déguisé en madone
Hé toi
Je pourrais te faire mal
Je pourrais te blesser, oui
Dans la nuit qui frissonne
Prends garde, sous mon sein la grenade
Sous mon sein là regarde
Sous mon sein la grenade
Prends garde, sous mon sein la grenade
Sous mon sein là regarde
Sous mon sein la grenade

Hé toi
Qu'est-ce que tu t'imagines ?
Je suis aussi vorace
Aussi vivante que toi
Sais-tu
Que là sous ma poitrine
Une rage sommeille
Que tu ne soupçonnes pas ?
Prends garde, sous mon sein la grenade
Sous mon sein là regarde
Sous mon sein la grenade
Prends garde, sous mon sein la grenade
Sous mon sein là regarde
Sous mon sein la grenade
Prends garde

Hey you
What are you looking at?
You've never seen a woman fighting
Follow me
In the pale city
And I will show you
As I bite, as I bark
Be careful, under my breast, the grenade
Under my breast there look
Under my breast the grenade
Be careful, under my breast, the grenade
Under my breast there look
Under my breast the grenade

Hey you
But what do you think?
I am only an animal
Disguised as Madonna
Hey you
I could hurt you
I could hurt you, yes
In the night that shivers
Be careful, under my breast, the grenade
Under my breast there look
Under my breast the grenade
Be careful, under my breast, the grenade
Under my breast there look
Under my breast the grenade

Hey you
What do you imagine?
I am also voracious
As alive as you
Do you know
That there under my chest
An anger sleeps
That you do not suspect?
Be careful, under my breast, the grenade
Under my breast there look
Under my breast the grenade
Be careful, under my breast, the grenade
Under my breast there look
Under my breast the grenade
Be careful

Thanks to JeanRoche on LyricsTranslate.

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Romain
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Re: France - One song per day.

Post by Romain » Sat Feb 15, 2020 4:52 pm

Next song.

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Romain
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Re: France - One song per day.

Post by Romain » Sat Feb 15, 2020 5:00 pm

Jean-Noël Dupré - After Shave - 1972
Pop, Groove

Wikipédia:
Jean-Noël Dupré, born on June 14, 1946 and died on March 21, 2008, is a French singer and songwriter.

After shave
After shave
Dis-moi quel est ton…
After shave

Ouvres-tu tes volets sur un jardin mouillé
Ta porte au soleil pale qui glisse sur le seuil
Ta maison dans l'hiver reste t'elle verrouillée
Dans la ville qui meurt et peu à peu s'effeuille

refrain

Quel oxygène mets-tu dans le creux de ta main
Made in Paris s'exporte, un rêve de savane
La fuite somnambule du métropolitain
Plus dix franc l'ordinaire pour le prochain latin

refrain

Poses-tu le pied droit sur la robe légère
Que l'étrangère hier ôta du bout des doigts
Atmosphère en flacons, flacons dans l'atmosphère
Tournes-tu le bouton pour trouver une voix
Qui te dit

refrain


After shave
After shave
Tell me which one is your…
After shave

Do you open your shutters over a wet garden?
Your door to the pale sun sliding on the threshold
Does your house stay locked in the winter?
In the city that is dying and slowly shattering

After shave
After shave
Tell me which one is your…
After shave

What oxygen do you put in the palm of your hand?
One that is made in Paris and exported, a savannah dream
The metropolitan's sleepwalker escape
Plus ten more francs for the next Latin one

After shave
After shave
Tell me which one is your…
After shave

Did you put your right foot on the light dress?
That the stranger yesterday took away with the tips of her fingers
The atmosphere in vials, vials in the atmosphere
Do you turn the knob to find a voice?
Who tells you

After shave
After shave
Tell me which one is your…
After shave

Thanks to asmishh on LyricsTranslate.
Last edited by Romain on Sat Feb 22, 2020 4:27 pm, edited 1 time in total.

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Romain
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Re: France - One song per day.

Post by Romain » Sun Feb 16, 2020 8:29 pm

Next song.

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Re: France - One song per day.

Post by Romain » Sun Feb 16, 2020 8:37 pm

Marc Steckar - Spirit Sound (La Fille Et L'oiseau) - 1967 - Jazz
Jazz, Latin, Funk / Soul

edmartin.Com (DeepL translate)
Marc Steckar is a French multi-instrumentalist born on June 1, 1935 in Cherbourg, died in Bessancourt (Val-d'Oise) on June 27, 2015.

Born in 1935 in Cherbourg (50), he began music with the cello at the age of eight. Then he worked on trumpet with Master SABARICH as an auditor in the class of the Conservatoire National Supérieur de Musique de Paris for 3 years, in the company of Maurice ANDRE. In 1953, he left the trumpet for the trombone and entered the CNSM in the class of Maître LAFOSSE in 1956.
His studies are interrupted by a military stay in Algeria in 1957. On his return, he obtains a second trombone prize in 1959. He resigns to enter Aimé BARELLI's Orchestra at the Casino de Monté Carlo, after having played one year in Benny BENNET's Big Band, with Michel PORTAL, Yvan JULIEN and Pierre THIBAULT. With Aimé BARELLI's Orchestra, he accompanied such characters as Marlène DIETRICH, Nat KING COLE at the Olympia and then on a European tour in 1960.
In 1961, in the Orchestra of Paul MAURIAT, he accompanies Charles AZNAVOUR. At the end of 1961, he joined Daniel JANIN's Big Band at the Olympia and successively accompanied PIAF, BREL, BECAUD, Samy DAVIS ...
In 1964, he plays 6 months at the Moulin Rouge and at the same time he also plays regularly in the studios, at the request of various arrangers (Michel LEGRAND, Vladimir COSMA) and all the stars of the French song. He also plays every noon with Jacques MARTIN on television in the show " Midi chez vous ", to then join Bob QUIBEL's Big Band in the " Thé dansant " on Antenne2.
In 1968, he toured the world with Charles AZNAVOUR.
In 1970, he dedicates himself to Tuba as a self-taught, while playing trombone at the Casino de Paris in Roland PETIT's revues with Zizi Jeanmaire. He gradually established himself in the recording studios, playing both tuba and bass trombone.
From 1973 to 1983, he accompanies Claude NOUGARO with Eddie LOUIS and Maurice VANDER. He also took part in Martial SOLAL's Big Band at Tuba for nearly 20 years, then he became interested in euphonium.
In 1981, he forms his band with 2 euphoniums, 2 tubas and drums, the well known "Steckar TUBAPACK" and obtains in 1982 the Boris VIAN prize, awarded by the Jazz Academy. He also did about twenty concerts with Michel PORTAL.
Marc STECKAR has recorded more than 20 records around the Tuba and has played in all the major Jazz festivals. In 1984, he formed " Elephant Tuba Horde Big Band " composed of euphoniums, saxhorns and tubas !
From 1990, he devotes himself more particularly to writing and composes numerous creations, mixing Euphoniums and Tubas with Choirs, Harmonies, Big Band, Drum Band, Bagad Breton. Then, he wrote various concertos for Euphonium, Tuba, Trombone, Trumpet, Bass Trombone, Trombone Quartet, Clarinet Quartet, Trumpet Quintet, always accompanied by a Harmony Orchestra. The euphonium concerto was created for Ivan MILHIET in 1984 with the Orchestre d'Harmonie du Havre (euphonie, éditions Feeling Musique).
In 1988, he played with the " Steckar TUBAPACK " at the Jakarta Jazz Festival (Indonesia).
In 1992, he presents a creation " 92 à Tout Vent " under the Arche de la Défense with 2500 Harmony musicians and the " Steckar TUBAPACK " (commissioned by the Ministry of Culture). He then went on to perform two important creations for the Inter Celtic Festival of Lorient with Tubapack, Brass Ensemble and Bagad. Concert, film and CD: Celtophonie bagadapack.
In 1999, he was awarded a composition prize by the SACEM and in 2001, the television channel Muzzik shot and programmed a film on Marc STECKAR: La Tubapassion of 52 minutes.
Next creation, August 9, 2003: Lorient Celting Pot with euphoniums, tubas, Brass, Bagad and Percussions.
After having been a multi-instrumentalist, Marc has focused for a few years on the euphonium.


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Re: France - One song per day.

Post by Romain » Wed Feb 19, 2020 6:50 am

Next song.

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Re: France - One song per day.

Post by Romain » Wed Feb 19, 2020 6:50 am

Sylvie Vartan - La Maritza - 1968
Chanson, Baroque Pop, Pop, yé-yé

Album: La MAritza (RYM: 3.50/5)

Artist:
Sylvie Vartan (French pronunciation: ​[silvi vaʁtɑ̃]; born Sylvie Georges Vartanian, Bulgarian: Силви Жорж Вартанян; 15 August 1944 in Iskrets, Sofia Province) is a Bulgarian-French singer and actress. She is known as one of the most productive and tough-sounding yé-yé artists. Her performances often featured elaborate show-dance choreography, and she made many appearances on French and Italian TV.

Yearly shows with then-husband Johnny Hallyday attracted full houses at the Olympia and the Palais des congrès de Paris throughout the 1960s and mid-1970s. In 2004, after a break in performances, she began recording and giving concerts of jazz ballads in francophone countries.

Too long: https://en.wikipedia.org/wiki/Sylvie_Vartan


Song:
"La Maritza" is a song by Sylvie Vartan from her 1968 album Sylvie Vartan (also known as La Maritza). It was also released as an EP and as a single.
The song was written by Jean Renard and Pierre Delanoë.

In France the song was released on an EP (La Maritza / Un p'tit peu beaucoup / Jolie poupée).

In Wallonia (French Belgium) the EP charted as a double A-side "La Maritza / Un p'tit peu beaucoup". It spent 19 weeks in the singles chart, peaking at no. 4.

The song "La Maritza" also reached at least in the top 4 in Finland in 1970.

La Maritza c'est ma rivière,
comme la Seine est la tienne,
mais il n'y a que mon père
maintenant qui s'en souvienne
quelquefois...

De mes dix premières années
il ne me reste plus rien,
pas la plus pauvre poupée,
plus rien qu'un petit refrain
d'autrefois :

La la la...

Tous les oiseaux de ma rivière
nous chantaient la liberté,
moi je ne comprenais guère,
mais mon père lui savait
écouter...

Quand l'horizon s'est fait trop noir,
tous les oiseaux sont partis
sur les chemins de l'espoir
et nous on les a suivis
à Paris...

{parlé} :
De mes dix premières années
il ne reste plus rien...rien
{chanté} :
Et pourtant les yeux fermés,
moi j'entends mon père chanter
ce refrain :

La la la...

The Maritza is my river
Like the Seine is yours
But there is no one but my father
Now, who remembers that
Sometimes...

From my first ten years
There is nothing more left
Not the most poor doll
plus rien qu'un petit refrain
Nothing more than a small chorus
From the past...

All the birds from my river
Sang to us the freedom
Me, i didn’t scarcely understand
But my father knew him
Listen...

When the horizon became too dark
All the birds were gone
On the path of hope
And we have followed them
To Paris...

Spoken: From my first ten years
There is nothing more left, nothing
Sung: And yet, with the closed eyes
Me, i hear my father singing
ce refrain...
This chorus...
Lalala

Thanks to Layla and hampsicora on LyricsTranslate.

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