Chanson, Pop, Nouvelle chanson française
Album: L'invitation ( RYM: 3.59/5)
Wikipédia:
Étienne Daho (/daʊ/; French: [etjɛn dao]; born January 14, 1956 in Oran, French Algeria) is a French singer, songwriter and record producer. He has released a number of synth-driven and rock-surf influenced pop hit singles since 1981.
He sings in a low, whispery voice somewhat akin to Leonard Cohen or Chet Baker and his music established him as a pop cult hero. He cites Serge Gainsbourg, The Velvet Underground, The Beach Boys and Syd Barrett as his musical influences. All his albums have been certified at least gold or platinum, including "Mythomane" in 1981, "La notte, la notte" in 1984, "Pop satori" in 1986, produced with a young William Orbit, "Pour nos vies martiennes" in 1988 and the double platinum "Paris ailleurs" in 1991, recorded in New York.
A best-selling recording artist in his own right in France, Daho is best known in Britain for his appearance on the number 11 Saint Etienne hit single "He's on the Phone", which is an English-language adaptation of his 1984 French-language big hit "Weekend à Rome". He also collaborated with Saint Etienne on the Reserection EP, his album Eden, and his single hit Le Premier Jour.
Daho's collaborations and productions both on stage and in the studio with other artists have been extensive. He has worked with Brigitte Fontaine, Arthur Baker, Air, Working Week, '80's new wave bands OMD and Comateens, Jane Birkin, Marianne Faithfull, Françoise Hardy, Charlotte Gainsbourg, Vanessa Paradis, Dani and more. His music has also been remixed, among others, by Air, Fischerspooner, Amon Tobin and William Orbit.
Daho's 1996 album Eden displayed a diverse array of electronic-oriented songs that included downtempo ballads, drum and bass-influenced tracks, and Hi-NRG dance. He duetted with Astrud Gilberto ("Les bords de Seine") and was accompanied by The Swingle Singers on "Timide intimité". Backing vocals on several songs were provided by Lyn Byrd of the Comateens, Sarah Cracknell (who co-wrote "Les passagers"), and Elli Medeiros.
Eden was subsequently re-released for the anglophone market with great reviews with the song "A New World", which was an English-language version of "Au Commencement". Daho performed in a sold out Institute of Contemporary Arts. He also sang at the Marquee in 1989.
After a double platinum greatest hits compilation Best of Singles in 1998, the number one Corps & armes in 2000 saw Daho eschewing electronics in favour of a more orchestral sound fuelled by traditional instruments: piano, acoustic guitar, horns, directed by Wil Malone. One of the tracks included an English-language duet with Vanessa Daou ("Make Believe"). It includes also "Le brasier", "La baie" and "Ouverture".
Daho shifted gears once again for his dark and moody 2004 album Réévolution, which featured a guitar-heavy rock sound. He released the single hit "If" with Charlotte Gainsbourg as well as the Phil Spector influenced "Retour à toi" and "Les liens d'Eros" with Marianne Faithfull, reading her great uncle Leopold von Sacher-Masoch's Venus in furs.
In 2005, Daho released a live album Sortir Ce Soir, which featured many of his greatest hits performed in concert.
In 2007, his new album, L'Invitation, which was created with Edith Fambuena, was released to good press reviews. In 2008, a compilation of covers was released, called Tombés pour Daho (after Daho's single, Tombé pour la France). The recording artists include Benjamin Biolay, Doriand, Elli Medeiros, Daniel Darc, and Arnold Turboust. In the same year, on March 8, Daho received a Victoire de la Musique award in the category Album Pop / Rock of the Year.
His last album, Les Chansons de l'innocence retrouvée, was released in 2013 and was a critical success in France, being included in several best end-of-year lists, including Les Inrockuptibles and Télérama.
For record sleeves and music videos, Daho has collaborated with Pierre et Gilles, Michel Gondry, Nick Knight, Doug Nichol, Jean-Pierre Jeunet, M/M, Abake, Inez van Lamsweerde and Guy Peellaert among others.
In 2016, Daho was invited by John Cale to sing "I'll Be Your Mirror"" at the 50th anniversary celebration of The Velvet Underground and Nico at the Philharmonie de Paris.
Ne me morde la main, ne me couronne d'épines,
Désadorer l'adorer.
Avant que ses baisers ne deviennent couteaux,
Que ses bouquets de fleurs ne me fassent la peau,
Désadorer l'adorer,
Mais arborer ce chagrin si haut
Que je porte, beau comme un drapeau,
En vainqueur dont on admire le sort,
Courageux
Qui sait aimer trop fort
Car comme les dieux
Qu'on adore adorer
J'adorais l'adorer.
J'ai été si vivant, chaque minute, chaque seconde,
Mais avant d'abhorrer ses humeurs vagabondes,
Désadorer l'adorer.
Avant que l'infidèle à nouveau ne sévisse,
Qu'inéluctablement le destin s'accomplisse,
Désadorer l'adorer,
Mais arborer ce chagrin si haut, que je porte, beau comme un drapeau,
En vainqueur dont on admire le sort,
Courageux
Qui sait aimer trop fort,
Car comme les dieux
Qu'on adore adorer,
J'adorais l'adorer.
Désadorer l'adorer...
Before the unfaithful woman and her killer beauty
bite my hand and crown me with thorns
I'll have to unadore1 adoring her.
Before her kisses turn into knives
and her bouquets of flowers have my skin
I'll have to unadore adoring her
while sporting this highest sorrow
I bear, beautiful as a flag,
as a victor whose fate is admired,
a brave man
who can love in excess.
Because I adored adoring her
like the gods
we adore to adore.
I've been so full of life, ever minute, every second,
but before loathing her fickle mood swings
I'll have to unadore adoring her.
Before the unfaithful woman strikes again
and fate ineluctably unfolds
I'll have to unadore adoring her
while sporting this highest sorrow
I bear, beautiful as a flag,
as a victor whose fate is admired,
a brave man
who can love in excess.
Because I adored adoring her
like the gods
we adore to adore.
I'll have to unadore adoring her..
1.the word doesn't exist in French either
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